吉他 - 美国大都会艺术博物馆展品查阅

品名（中）	吉他
品名（英）	Guitar
入馆年号	1946年，46.34.73
策展部门	乐器（Musical Instruments）
创作者	Robert Chéron【1600 至 1700】【法国人】
创作年份	公元 1694
创作地区	法国, 巴黎（France, Paris）
分类	长笛拨弦琴（Chordophone-Lute-plucked-fretted）
尺寸	Total 长: 866 毫米
介绍（中）	这把吉他可能是巴黎制造商Robert Chéron唯一幸存的乐器。虽然人们对Robert Chéron知之甚少，但他可能是Nicolas Chélon（b.1658；†1691）的兄弟，后者也曾在多芬街居住过一段时间。据推测，他是一位风琴师的儿子，可能是作曲家安德烈·切隆的近亲。在布罗萨德的《巴黎音乐家》中，他被描述为一名乐器演奏家（joeur d'instrument），也是乐器大师罗伯特·杜普里（maître faiseur d'instormers）的教父响板上象牙和乌木的装饰边框采用了17世纪末和18世纪的法国设计。侧面也是象牙和乌木的，这表明这从一开始就是一件非常有价值的乐器。颈部和背部要么经过了相当侵入性的修复，要么可能是从类似乐器中取出的替代品，但这把吉他仍然是理解早期吉他发展的重要组成部分。（Daniel Wheeldon 2016）技术说明：十弦（五双程）吉他最初转换为六弦吉他；两件式松木共鸣板，法式风格，黑色/象牙色菱形交替，由bwbw垫片隔开；直径为80.95毫米的音孔，配有配套的捆绑装置；桥梁更换；五片紫杉背面（可能不是原来的），第二条和第四条饰有乌木、胡桃木和桃花心木的阿拉伯花纹；颈背和墓石（可能不是原来的）象牙贴面与乌木镶嵌的阿拉伯花纹继续背面的装饰主题；象牙和乌木硬木的侧面；乌木指板（非原装），有十五个象牙质琴格；黑檀木贴面（非原装）墓石，象牙镶嵌与背面相同的阿拉伯式花纹；摩擦调谐器（Daniel Wheeldon 2016）
介绍（英）	This guitar is probably the only surviving instrument by the Parisian maker Robert Chéron. While little is known about Robert Chéron, he was probably the brother of Nicolas Chéron (b. 1658; † 1691) who also lived at Rue Dauphine for some time. He was presumably the son of an organ builder and potentially a close relation of composer André Chéron. In Brossard's Musiciens De Paris he is described as an instrument player (joueur d'instrument) and also godfather to Robert Duprey, master instrument maker (maître faiseur d'instruments). The decorative border of ivory and ebony on the soundboard is of a distinctly French design from the late 17th and 18th centuries. The sides are also of ivory and ebony showing that this would have been a highly valuable instrument from the beginning. The neck and the back have either undergone quite intrusive repairs or are replacements probably taken from similar instruments, yet this guitar remains an important piece in understanding the development of the early guitar. (Daniel Wheeldon 2016) Technical description: Ten-string (five double course) guitar originally converted to six-string guitar; Two-piece pine soundboard with French-style binding with alternating ebony/ivory rhomboids separated by bwbw spacers; soundhole diameter of 80.95 mm with matching binding; bridge replaced; five-piece yew back (possibly not original) with the second and fourth strips decorated with arabesques of ebony, walnut, and mahogany; back of neck and headstock (possibly not original) of ivory veneer with ebony inlaid arabesques continue decorative motif of the back; sides of ivory and ebonized hardwood; ebony fingerboard (not original) with fifteen ivory frets; headstock with ebony veneer (not original) interuppted with ivory inlaid with same arabesque motif as the back; friction tuners (Daniel Wheeldon 2016)