跪姿研究（直肠）；节日战车设计（verso）。 - 美国大都会艺术博物馆展品查阅

品名（中）	跪姿研究（直肠）；节日战车设计（verso）。
品名（英）	Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso).
入馆年号	2003年，2003.93
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Anonymous, Italian, Florentine, 16th century【1500 至 1600】【意大利人】
创作年份	公元 1530 - 公元 1540
创作地区
分类	图画（Drawings）
尺寸	页: 11 5/8 x 5 1/4 英寸 (29.5 x 13.3 厘米)
介绍（中）	这幅由早期收藏家在顶部边缘突然裁剪而成的非常有活力的画作似乎基本上起到了帷幔研究的作用，它似乎是为天使或圣人服务的。束腰外衣的曲折褶皱为人物增添了强烈的情感色彩。这项研究采用了大胆、反复强化的轮廓，并将其压在纸上，而内部造型在表面上保持相对轻盈。在这些品质以及对红色粉笔介质的选择上，这项研究似乎非常接近雅格波·蓬托莫（Jacobo Pontomo，1494-1556）的绘画，正如先前的一位学者所建议的，可能可以追溯到1530年代。然而，考虑到蓬多莫的绘画风格也被后来一代佛罗伦萨艺术家效仿，因此应该谨慎地进行归因假设。这幅画的反面用钢笔和棕色墨水为节日战车设计。
介绍（英）	Cropped abruptly at the top border by an early collector, this remarkably vigorous drawing seems essentially to have functioned as a drapery study, and it appears to have served for an angel or a saint. The agitated, zigzagging folds of the tunic add a highly emotive quality to the figure. The study is done with bold, repeatedly reinforced outlines, pressed onto the paper, while the interior modeling remains relatively light on the surface. In these qualities, as well as in the choice of the red chalk medium, the study seems very close to the drawings of Jacopo Pontormo (1494-1556), as has been suggested by a previous scholar, and possibly dates to the 1530s. Given that Pontormo's drawing style was also emulated by a later generation of Florentine artists, however, the hypothesis for an attribution should be made with caution. The verso side of this drawing offers a design for a festival chariot in pen and brown ink.