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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)开放式家具牌匾,狮身人面像穿过花卉景观
品名(英)Openwork furniture plaque with sphinx striding through a floral landscape
入馆年号1964年,64.37.2
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元前 900 - 公元前 700
创作地区
分类
尺寸8.74 x 4.53 x 0.75 英寸 (22.2 x 11.51 x 1.91 厘米)
介绍(中)这块碎片牌匾在沙尔曼尼瑟堡(Fort Shalmaneser)的一个储藏室中发现,这是尼姆鲁德的一座皇家建筑,可能被用来存放亚述人在军事行动中收集的贡品和战利品,这块以镂空技术雕刻的碎片牌匾描绘了一只有翅膀的狮子座动物,可能是狮身人面像,向右大步走去。它可能被用来装饰一件木制家具。右侧斑块保存边缘的两个榫眼表明,这种混合生物现在缺失的前部,包括前腿和头部,是通过榫头附着在身体上的。后腿小腿已经折断。狮身人面像身体后面生长的花茎和胸前保存的单只棕榈树表明,这种杂交生物最初被描绘成在花卉景观中大步前进。优雅的雕刻技术,从单独铰接的翅膀羽毛和纤细的身体中可以看出,是腓尼基象牙的特征。

尼姆鲁德的宫殿和储藏室由亚述国王阿舒尔纳西尔帕尔二世建造,存放了数千件雕刻象牙。大多数象牙用作家具镶嵌物或小贵重物品,如盒子。虽然其中一些雕刻的风格与西北宫殿墙壁上的大型亚述浮雕相同,但大多数象牙都展示了与北叙利亚和腓尼基城邦艺术相关的图像和风格。腓尼基风格的象牙的特点是使用与埃及艺术相关的图像,例如狮身人面像和戴法老王冠的人物,以及使用精致的雕刻技术,例如镂空和彩色玻璃镶嵌。北叙利亚风格的象牙倾向于以更动态的构图描绘更粗壮的人物,雕刻成实心牌匾,添加的装饰元素较少。但是,有些作品不容易融入这三种风格中的任何一种。大多数象牙可能是亚述国王从附庸国收集的贡品,以及被征服的敌人的战利品,而有些可能是在尼姆鲁德的作坊中制造的。为这些物品提供原材料的象牙几乎可以肯定来自非洲大象,从埃及南部的土地进口,尽管大象确实居住在叙利亚的几个河谷,直到公元前八世纪末被猎杀灭绝。
介绍(英)Found in a storeroom at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign, this fragmentary plaque carved in the openwork technique depicts a winged, leonine animal, probably a sphinx, striding to the right. It was probably used to decorate a piece of wooden furniture. Two mortises cut into the preserved edge of the plaque on the right side suggest that the now-missing forepart of this hybrid creature, including its forelegs and head, was attached to the body by tenons. The lower hind legs have broken off. The floral stalks growing behind the sphinx’s body and the single palmette preserved below its chest suggest that this hybrid creature was originally depicted striding through a floral landscape. The elegant carving technique, seen in the individually articulated wing feathers and slender body, is characteristic of Phoenician ivories.

Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。