坐着的Akhamenru的救济 - 美国大都会艺术博物馆展品查阅

品名（中）	坐着的Akhamenru的救济
品名（英）	Relief of Seated Akhamenru
入馆年号	O.C.1271
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 664
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	高 47.3 × 宽 26.3 × 深 6 厘米, 12.3 kg (18 5/8 × 10 3/8 × 2 3/8 英寸, 27.2 磅)
介绍（中）	这个街区在1906年埃及艺术部成立之前就来到了博物馆，它的到来记录并不存在。然而，铭文告诉我们，它描绘了神圣妻子谢彭韦佩特二世的首席管家阿卡门鲁，所以它一定起源于他在阿萨西夫山谷的坟墓。钻入街区的洞表明，在过去的几千年里，它已被从坟墓中移除，以服务于一些更世俗的目的。阿卡门鲁的身材很好，坐在一张低背椅子上，手里拿着一根法杖和一块折叠的布。他戴着腰带，脖子上挂着一个护身符，这是米德尔王国皇室成员佩戴的。对米德尔王国的亲和力也影响了他的发型和着装。他可能面对的是供奉桌，也可能是家庭成员。在他的头顶上出现了三根柱子的末端，从右到左，是传统愿望的遗迹，他应该在来世看到阳光照在他的脸前，他的名字，以及他父亲阿蒙佩基里牧师的名字。一个银色的小神像，可能命名为他的母亲Mereskhonsu（2014.159）在同一画廊展出。
介绍（英）	This block came to the Museum before the Egyptian Art Department was founded in 1906, and records of its arrival do not exist. The inscription, however, tells us that it depicts Akhamenru, the Chief Steward of the Divine Wife Shepenwepet II, so it must have originated in his tomb in the Asasif valley. The hole ground into the block suggests it had been removed from the tomb at some point in the past millennia to serve some more mundane purpose. Akhamenru's fine figure is seated on a low backed chair, holding a staff and a folded cloth. He wears a sash and about his neck hangs an amulet that was worn by royalty in the MIddle Kingdom. An affinity for the MIddle Kingdom also influences his hairstyle and dress. He might have faced an offering table or possibly a family member. Over his head appear the ends of three columns including, from right to left, the remains of traditional wish that he should see the sun shining before his face in the afterlife, his name, and the name of his father the priest of Amun Pekiry. A small silver divine figure that probably names his mother Mereskhonsu (2014.159) is displayed in the same gallery.