葡萄酒的中毒 - 美国大都会艺术博物馆展品查阅

品名（中）	葡萄酒的中毒
品名（英）	The Intoxication of Wine
入馆年号	1914年，14.40.687
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Clodion (Claude Michel)【1738 至 1814】【法国人】
创作年份	公元 1775 - 公元 1795
创作地区
分类	雕塑（Sculpture）
尺寸	整体 (confirmed): 高 23 x 宽 16 7/8 x 深 11 1/4 英寸 (58.4 x 42.9 x 28.6 厘米)
介绍（中）	克洛迪翁的职业生涯跨越了法国大革命和拿破仑统治时期的古代统治的最后几十年，他接受了他那个时代对古代的品味。有时这种偏好在他的主题选择上比在他的风格上更明显。虽然经常是新古典主义风格，但他的风格有时仍相当洛可可风格，如本例所示。尽管Clodion因大理石雕塑获得了许多重要的委托，但他的名气和知名度取决于他为私人收藏家制作小型陶俑组的技巧这篇作品的看似自发性，一种狂喜的拥抱，在这种拥抱中，感觉似乎完全被抛弃了，这是在经过多次冥想之后才实现的。这项工作是Clodion专长的所有酒神狂欢中研究最深入的一项。正面和背面显示了对角度、开口和质量的精心调整，当模型从他的手指下经过他的栈桥桌子时，所有这些都得到了检查和平衡 Clodion深深地沉浸在希腊和罗马艺术的意象中，但这里看到的美妙的节奏完全是他自己的。1762年至1771年，他在罗马期间为鉴赏家创作了这些作品，但这一群体的进化程度很高，可能可以追溯到1780年代。
介绍（英）	Clodion, whose career spanned the last decades of the ancien régime through the French Revolution and Napoleon's reign, embraced his era's taste for antiquity. Sometimes this preference is more apparent in his choice of theme than in his style. While often Neoclassical, his manner at times remained quite Rococo, as in the present example. Although Clodion received a number of important commissions for monumental marble sculptures, his fame and popularity rested on his skill at modeling small-scale terracotta groups for private collectors. The seeming spontaneity of this composition, a rapturous embrace, in which it appears that the senses are totally abandoned, was achieved only after much meditation. This work is one of the most minutely studied of all the Bacchic orgies that were Clodion's specialty. The front and back show deliberate adjustments of angles, openings, and masses, all checked and balanced as the model passed under his fingers on his trestle table. Clodion was deeply steeped in the imagery of Greek and Roman art, but the deliciously charged rhythms seen here are entirely his own. He made such works for connoisseurs during his stay in Rome from 1762 to 1771, but this group is so highly evolved that it may date to the 1780s.