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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)奇约诺夫人
品名(英)Lady Chiyono
入馆年号2020年,2020.396.33
策展部门亚洲艺术Asian Art
创作者Maruyama Ōkyo 円山応挙【1733 至 1795】【日本人】
创作年份公元 1773
创作地区
分类绘画(Paintings)
尺寸图像: 37 3/4 × 15 5/16 英寸 (95.9 × 38.9 厘米) 整体 with mounting: 76 3/4 × 21 5/8 英寸 (194.9 × 54.9 厘米) 整体 with knobs: 76 3/4 × 23 9/16 英寸 (194.9 × 59.8 厘米)
介绍(中)这幅简单但巧妙而敏感的画描绘了一位刚刚放下水桶的年轻女性,捕捉到了中世纪日本传说中千代野夫人的一个瞬间。千代野女士是一位出身高贵的女性,当她看到月亮反射在溢出的水中时,她获得了佛教的启蒙。十八世纪京都最有权势、最多产的画家之一,大师画家丸山京(MaruyamaŌkyo)将大部分构图留空,并放弃了通过阴影创造三维感的尝试(尽管他掌握了更现实的绘画风格)



千代野夫人是安森阿达奇的女儿安達泰盛 (1231–1285),镰仓幕府时期担任武都(现在的东北地区)总督的杰出武士。她也成为了金泽三内的第二任妻子金沢実時 (1224年-1276年),出身于幕府的大学士,曾任幕府摄政


丈夫去世后,千代尼在京都出家为尼,在那里她勤奋地练习禅修,但显然在精神启蒙方面进展甚微。然后,根据传说,正如Ōkyo的画所描绘的那样,有一天,她用一个旧水桶从河里把水拿回来,注意到桶里有月亮的倒影。然后,桶底突然掉了出来,水溅得到处都是,月亮的倒影被溶解了。在那一刻,奇约诺突然意识到,她对现实和自己的所有感知都同样是虚幻的,就像月亮的倒影一样。这些关于自己的想法被她自己的妄想联系在一起,这些妄想就像她的水桶一样脆弱。她的经历在一首著名的waka(31音节诗)中永垂不朽,任何人在创作这幅画时都会想起这首诗和宗教事件,即使它没有刻在画的空白处:



就这样和那样,我试图拯救旧桶
由于竹条越来越弱,即将断裂
直到最后底部掉了出来<桶里再也没有水了
水中不再有月亮



(Paul Reps,Zen Flesh,Zen译)


顺便说一句,几个世纪以来,甚至在今天,千代诺和著名的会寺创始人穆加伊·尼奥代修女(公元1223年)的传记一直被纠缠和混淆,但似乎可以合理地假设,他们都和孩子同名,然后他们的传记作者就把事情弄糊涂了。在传记词典中,穆盖小时候的名字叫千代诺,她也被列为阿达奇·康森的女儿。但根据大多数人的说法,木盖女代应该出生在1223年,所以如果她的父亲肯定出生在1231年,那么记录就有问题了。
介绍(英)This simply but deftly and sensitively painted figure of a young women who has just dropped a water bucket captures a moment from the medieval Japanese legend of Lady Chiyono, a woman of high birth who achieved Buddhist enlightenment when she saw the moon reflected in the spilled water. The master painter Maruyama Ōkyo, one of the most powerful and prolific painters in Kyoto of the eighteenth century, has left most of the composition blank, and has discarded an attempt to create a feeling of three-dimensionality through shading (though he had mastered a more realistic style of painting).



Lady Chiyono was the daughter of Adachi Yasumori 安達泰盛 (1231–1285), a prominent samurai who served as a governor of Mutsu (now the Tohoku region) during the time of the Kamakura Shōgunate. She also became the second wife of the Kanezawa Sanetoki金沢実時 (1224–1276), the great scholar who belonged the Hōjō clan, who served as regents to the Shogun.



After her husband's death, Chiyoni became a nun in Kyoto, where she diligently practiced Zen meditation but apparently made little progress towards spiritual enlightenment. Then, according to legend and as depicted in Ōkyo’s painting, one day she was bringing water back from the river in an old bucket, and noticed the reflection of the moon in it. Then all of a sudden the bottom of the bucket fell out, causing water to spill everywhere and dissolve the moon’s reflection. At that moment, Chiyono suddenly realized that all perceptions she had of reality and of herself were similarly insubstantial just like the reflection of the moon. And these ideas of herself were being held together by her own delusions, which were just as flimsy as her bucket. Her experience is immortalized in a famous waka (31-syllable poem) that anyone viewing this painting at the time it was made would have recalled the poem and religious incident, even without it being inscribed on the blank space of the painting:



In this way and that I tried to save the old pail
Since the bamboo strip was weakening and about to break
Until at last the bottom fell out.
No more water in the pail!
No more moon in the water!



(Trans. Paul Reps, Zen Flesh, Zen)



Incidentally, the biographies of Chiyono and the prominent nun Mugai Nyodai (b. 1223), founder of Keiaiji Temple, have been tangled up and confused over the centuries, even today, but it seems reasonable to assume that both shared the same given name as children, and then their biographers got things confused. It is common to see in biographical dictionaries that Mugai’s name as a child was Chiyono, and she was also listed as the he daughter of Adachi Yasumori. But Mugai Nyodai according to most accounts was supposedly born in 1223, so if her father was definitely born in 1231, then something is amiss in the recordkeeping.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。