湿婆对帕瓦蒂打断他的冥想感到愤怒 - 美国大都会艺术博物馆展品查阅

品名（中）	湿婆对帕瓦蒂打断他的冥想感到愤怒
品名（英）	Shiva enraged by Parvati's interruption of his meditation
入馆年号	2019年，2019.146
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1800 - 公元 1810
创作地区
分类	绘画（Paintings）
尺寸	图像 (folio): 9 1/2 × 7 3/16 英寸 (24.2 × 18.3 厘米) 图像 (painting): 8 3/4 × 5 11/16 英寸 (22.3 × 14.4 厘米)
介绍（中）	在这幅非凡的画作中，我们看到湿婆和他的妻子帕尔瓦蒂（Parvati）之间的相遇，湿婆在深沉的冥想中闭上眼睛，试图通过演奏维娜来唤起他，因为她凝视着她的领主，希望他能回应她的提议。湿婆搅动着，用他的第三只眼睛凝视着，被她演奏的美丽所吸引。但他对被打扰的愤怒通过他的姿势生动地传达出来：他的双手挑衅地放在大腿上，双臂弯曲，肘部急剧突出。艺术家使用了一个巧妙的装置来进一步表达湿婆的愤怒——他表现了湿婆的长苦行僧的头发像被大风卷入一样飞向天空。这个细节，在一个平静的田园环境中，一碗闷烧的余烬的烟雾向相反的方向飘去，表明是湿婆的愤怒推动他的头发辫子向上飞。这幅画属于印度北部旁遮普山演变而来的悠久而高度精致的风格传统，被称为帕哈里（山）学校。在最近的鉴赏研究中，已经发现了许多子学校，将这项工作放在一个较小的山地州Guler的工作室中。
介绍（英）	In this remarkable painting we see an encounter between Shiva, his eyes closed in deep meditation, and his wife Parvati, who attempts to arouse him by playing a vina as she gazes upon her lord in the hope that he might respond to her overtures. Shiva stirs, gazing with his third eye, drawn by the beauty of her playing. But his anger at being disturbed is vividly conveyed by his posture: his hands defiantly on his thighs, his arms akimbo, and his elbows sharply projecting. The artist employs a clever device to further express Shiva’s fury—he represents Shiva’s long ascetics’ hair flying skyward as if caught in a mighty gale. This detail, in what is otherwise a becalmed pastoral setting in which smoke from a bowl of smoldering embers drifts off in the opposite direction, indicates that it is Shiva’s anger that propels the braids of his hair to fly upward. This painting belongs to a long, highly refined stylistic tradition that evolved in the Punjab Hills of northern India, known as the Pahari (Hill) Schools. Numerous sub-schools have been identified in recent connoisseurship studies, placing this work in the atelier of a smaller hill state, Guler.