天堂圣母玛利亚，我们的良师益友 - 美国大都会艺术博物馆展品查阅

品名（中）	天堂圣母玛利亚，我们的良师益友
品名（英）	The Madonna of Paradise, Our Lady of Good Counsel
入馆年号	1977年，1977.627.33
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Anonymous, German, 18th century【1700 至 1800】【德国人】
创作年份	公元 1700 - 公元 1800
创作地区
分类	印刷品（Prints）
尺寸	6 7/8 × 4 13/16 英寸 (17.5 × 12.2 厘米)
介绍（中）	在十七和十八世纪，由切割和重新组装的印刷品组成的虔诚图像，精心装饰着油漆，织物和其他材料，在整个天主教欧洲找到了现成的市场。这些作品色彩鲜艳，纹理多样，通过其诱人的光学和触觉品质激发了精神虔诚。长期以来，灵修集会被认为是业余从业者的产物，更多的是专业制作的，专门的行业集中在安特卫普和德国南部。这些作品属于改变、组合和重新利用印刷图像的成熟做法，它们展示了对材料的复杂处理。一个特别华丽的例子代表了来自意大利格纳扎诺的圣母和圣婴的著名形象。该图标出现了两次：在描绘 15 世纪壁画奇迹般外观传说的小插图中，在中心，周围是印刷纸、织物和闪闪发光的金线层。
介绍（英）	In the seventeenth and eighteenth centuries, devotional images composed of cut and reassembled prints elaborately adorned with paint, fabric, and other materials found a ready market throughout Catholic Europe. Vividly colored and multitextured, these works stimulated spiritual devotion through their alluring optical and tactile qualities. Long thought to be the products of amateur practitioners, devotional assemblages were more often professionally made, with dedicated industries concentrated in Antwerp and Southern Germany. These works belong to a well-established practice of altering, combining, and repurposing printed images, and they exhibit a sophisticated handling of materials. An especially ornate example represents a celebrated image of the Virgin and Christ Child from Genazzano, Italy. The icon appears twice: within the vignette depicting the fifteenth-century legend of the fresco’s miraculous appearance, and at center, encircled by layers of printed paper, fabric, and glittering gold thread.