储存罐 - 美国大都会艺术博物馆展品查阅

品名（中）	储存罐
品名（英）	Storage Jar
入馆年号	2011年，2011.42
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1150 - 公元 1350
创作地区
分类	陶瓷制品（Ceramics）
尺寸	高 11 3/8 英寸 (28.9 厘米); 直径 9 5/8 英寸 (24.4 厘米); 直径 of rim 8 1/8 英寸 (20.6 厘米); 直径 of base 8 1/4 英寸 (21 厘米)
介绍（中）	一个象牙色釉的储物罐，带有森林鸟和树叶的图案，雕刻在粘土中，并在釉下的铁洗中突出显示。它的边缘下方有一个雕刻突出的莲花瓣项圈，肩部有四个残留的耳柄。这种类型的罐子被设计成有盖子，但它们很少存活。其中一个这样的封面保存在布鲁塞尔的罗雅博物馆（MuseesRoyaux），并在内部表面"葡萄酒容器"上用铁刷刻上。这仍然是这些神秘罐子功能的最明确指标。所选择的设计通常是森林中的野生鸟类和野兽，有时会被猎人追逐（河内国家博物馆），这可能是指这种船只供应的乡村风格葡萄酒。这些图像也可能被解释为越南陶瓷装饰师有意在这些瓷器中主张非中国身份他们是他们的地方和时间的产物。话虽如此，但保留在棕色铁洗中的雕刻图案的技术是从中国宋代的磁州瓷器中学习的。这是对这一主题的一个特别有力的解释，典型的是黎（1009–1225）及其继任者陈王朝（1225–1400）统治下的新独立越南国家。
介绍（英）	An ivory-glazed storage jar with forest bird and foliage design incised into the clay and highlighted in an iron wash underglaze. It has a carved projecting lotus petal collar below the rim and four residual lug handles on the shoulder. Jars of this type were designed to have a cover, but these rarely survive. One such cover is preserved in the Musees Royaux, Brussels, and is inscribed in iron-wash on the interior surface "wine container". This remains the most definitive indicator of the function of these otherwise enigmatic jars. The chosen designs are typically wild birds and beasts of the forest, sometimes being pursued by hunters (National Museum Hanoi), an allusion perhaps to the country-style wine that was served from such vessels. The imagery may also be interpreted as a conscious attempt on the part of the Vietnamese ceramic decorators to assert a non-Chinese identity in these wares. They are a product of their place and time. Having said that, the technique of incised designs reserved in a brown iron-wash is learnt from Chinese Cizhou wares of the Song period. This is a particularly robust interpretation of this subject matter, typical of the newly independent Vietnamese state under the Ly (1009–1225) and its successor, the Tran Dynasty (1225–1400).