伊斯帕尼亚的Arcus，来自一系列描绘（重建）罗马古代建筑的版画 - 美国大都会艺术博物馆展品查阅

品名（中）	伊斯帕尼亚的Arcus，来自一系列描绘（重建）罗马古代建筑的版画
品名（英）	Arcus in Hispania, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
入馆年号	1926年，26.50.1(115b)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Monogrammist G.A. & the Caltrop【1535 至 1535】【意大利人】
创作年份	公元 1530 - 公元 1550
创作地区
分类	唱片集（Albums）
尺寸	Plate: 5 11/16 × 3 1/2 英寸 (14.5 × 8.9 厘米) [edges of the plates are not straight, the height varies from 14.4-14.5, the width varies between 8.8 and 8.9厘米; top corners of the plate bend inwards slightly]
介绍（中）	对凯旋门右半部分的透视描绘，被称为"伊斯帕尼亚凯旋门"，以风格化的景观为背景。拱门似乎被放置在一个阶梯式的讲台上，除了支撑中央拱门两侧突出桥墩的离子柱或复合柱、阁楼下方檐饰上的一个小的古塔雕带和一个在阁楼上欢呼的花瓶外，没有任何装饰和浮雕。虽然比例不正确，建筑没有或不再有阁楼，但拱门的整体结构最像现代突尼斯的哈德良门该版画是一组建筑版画的一部分，描绘了罗马古代的建筑，从凯旋门到意大利、法国和西班牙的澡堂、寺庙和宫殿。其中一些建筑是根据中世纪的描述进行人工重建的，而另一些则被描绘成毁灭性的状态。已知这些板块有几种（未编目的）状态，并且随着时间的推移发生了微小的变化。一些建筑的名称被更改了，由于板块裂缝和氧化，这些板块被裁剪了这个系列的大多数铜板都是两面雕刻的。这张照片取自与"Porta Antonae"相同的图版这组版画是1926年作为相册的一部分购买的，但在1934年被博物馆拆散。这张专辑似乎是在17世纪编制的，尽管大多数印刷品都是16世纪的。印刷品的大部分集中在神话主题、文物和古代建筑上。这张专辑是建筑师Hippolyte Destailleur收藏的一部分，并于1895年在他的书籍和印刷品销售中售出。博物馆在G.Rapilly&；1926年拍摄。目前尚不清楚这本相册同时存放在何处，在此期间还取出了几张照片。博物馆的编号并不反映原始相册的顺序，但Destailleur的编号系统保留在单独的纸张上，以便重建其原始内容。
介绍（英）	Perspectival depiction of the right half of a triumphal arch, referred to as the ‘Arcus in Hispania’ set in a stylized landscape. The arch appears to be placed on a stepped podium and is stripped from all its ornaments and relief decorations, aside from the Ionic or Composite pillars that support the protruding piers flanking the central arches, a small frieze of guttae in the entablature below the attica, and a vase crowing the attica. While the proportions are incorrect and the building does not, or no longer has an attica, the overall composition of the arch most resembles Hadrian’s Gate in modern-day Tunisia. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Porta Antonae'. This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.