桃花源记 - 美国大都会艺术博物馆展品查阅

品名（中）	桃花源记
品名（英）	Peach Blossom Spring
入馆年号	2015年，2015.784.3
策展部门	亚洲艺术（Asian Art）
创作者	Zhang Hong【1577 至 1652】【中国人】
创作年份	公元 1638
创作地区
分类	绘画（Paintings）
尺寸	图像: 9 1/2 × 74 5/8 英寸 (24.1 × 189.5 厘米) 整体 with mounting: 11 英寸 × 21 ft. 1 5/8 英寸 (28 × 644.2 厘米)
介绍（中）	诗人陶谦（365-427）首次讲述的《桃花泉》讲述了一个渔夫的故事，他沿着一条两旁盛开的桃树的小溪，偶然发现了一个田园诗般的社区，这个社区世世代代都与政治和社会动荡隔绝。他最终离开了，但当他试图再次找到溪流时，它已经消失了。在张宏敏锐的解读中，观众从蜿蜒的溪流中穿过云层，到达渔夫手里拿着桨第一次遇到避风的地方，他们的服装风格自秦朝（公元前221-207年）以来就没有改变过。卷轴的其余部分深情地审视了农村生活的永恒节奏，尤其是与水稻种植和丝绸生产有关的节奏。这幅画于明朝灭亡前六年，这种乌托邦世界的愿景一定特别吸引人。张宏是土生土长的苏州人，是一位多才多艺的山水画家和人物画家，在满清初期（1644-1911）被称为明朝的忠诚者。在张的画之后，还有另一个版本的故事，由王伟（701-761）撰写，并由张的同乡范云麟（1558-1641）转录，范云麟是一位学者官员和书法家。
介绍（英）	"Peach Blossom Spring," as first told by the poet Tao Qian (365–427), is the tale of a fisherman who, having followed a stream lined with blossoming peach trees, stumbles upon an idyllic community that for generations has been sequestered from political and social upheavals. He eventually takes his leave, but when he tries to find the stream again, it has vanished. In Zhang Hong's keenly observed interpretation, the viewer is led from a winding stream through a cloudbank to the spot where the fisherman, oar in hand, first encounters the sheltered people, whose clothing styles haven't changed since the Qin dynasty (221–207 B.C.). The remainder of the scroll lovingly examines the ageless rhythms of rural life, especially those related to rice cultivation and silk production. Painted just six years before the collapse of the Ming dynasty, this vision of a utopian world must have been especially appealing. Zhang Hong, a native of Suzhou, was an accomplished landscape and figure painter who became known as a Ming loyalist in the early years of the Manchu Qing dynasty (1644–1911). Mounted after Zhang's painting is another version of the story composed by Wang Wei (701–761), and transcribed by Zhang's fellow townsman Fan Yunlin (1558–1641), a scholar-official and calligrapher.