爱丽丝，美丽的朝圣者 - 美国大都会艺术博物馆展品查阅

品名（中）	爱丽丝，美丽的朝圣者
品名（英）	Alice, la Belle Pèlerine
入馆年号	2016年，2016.619
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Sir Edward Burne-Jones【1833 至 1898】【英国人】
创作年份	公元 1858 - 公元 1859
创作地区
分类	图画（Drawings）
尺寸	页: 10 英寸 × 5 11/16 英寸 (25.4 × 14.5 厘米)
介绍（中）	1856年，23岁的伯恩·琼斯在牛津大学学习神学时，与朋友威廉·莫里斯一起参观了法国的哥特式大教堂，在伦敦咨询了丹蒂·加布里埃尔·罗塞蒂，并决定离开大学，继续学习艺术。约翰·鲁斯金建议他仔细观察阿尔布雷希特·丢勒，这幅画展示了这位德国大师的影响力，结合罗塞蒂独特的绘图技巧和对女性美的看法托马斯·马洛里（Thomas Malory）的骑士诗《亚瑟王之死》（La Morte D’Arthur）将爱丽丝·拉贝尔·佩莱琳（Alice La Belle Pèlerine，美丽的朝圣者爱丽丝）描述为"路过的美人"，并指出她的名字是由她的父亲安西鲁斯公爵（Duke Ansirus）提供的，他"每三年都会在耶路撒冷"。爱丽丝在追求自己的追求时，脖子上挂着一个象征性的贝壳，这是她心中的追求之一。在一群女孩和年轻女性的中心，她穿过中世纪的室内，也许可以从一扇没有玻璃的窗户看到郁郁葱葱的夏季景观，观看骑士们为她的手比武。这幅画是用墨水在牛皮纸上绘制的，来自1858年至1860年间创作的一组早期作品，被罗斯金称赞为"完成感和富有想象力的细节令人惊叹"。微小的笔触编织图案，描述暗示而非具体说明叙事的元素。在某些区域，艺术家刮去表面，以产生更明亮的背景和更柔和的墨水效果。爱丽丝的头和肩膀被画在一块单独的牛皮纸上，牛皮纸贴在主床单上。
介绍（英）	In 1856, while studying theology at Oxford, the twenty-three-year-old Burne-Jones toured Gothic cathedrals in France with his friend William Morris, consulted with Dante Gabriel Rossetti in London, and decided to leave college and pursue art. John Ruskin advised him to look closely at Albrecht Dürer, and the present drawing demonstrates the influence of that German master, combined with aspects of Rossetti’s distinct draftsmanship and vision of female beauty. Thomas Malory's chivalric poem "La Morte D’Arthur" describes Alice la Belle Pèlerine (Alice the beautiful pilgrim) as "passing fair" and notes that her moniker came courtesy of her father, Duke Ansirus who "was a great pilgrim, for every third year he would be at Jerusalem." An emblematic shell hangs at Alice's neck as she pursues her own quest which is one of the heart. At the center of a group of girls and young women, she processes through a medieval interior, perhaps headed out to the lush summer landscape seen through an unglazed window to watch knights joust for her hand. Worked in ink on vellum, the drawing comes from an early group made between 1858 and 1860, praised by Ruskin as "marvels in finish and imaginative detail." Minute touches weave patterns and describe elements that imply, rather than specify, a narrative. In some areas, the artist scraped away the surface to produce a lighter background and softer ink effects. Alice's head and shoulders are drawn on a separate piece of vellum affixed to the main sheet.