装有教皇朱利叶二世和博洛尼亚的曼佐利的手臂的碗，周围环绕着普蒂、聚宝盆、萨蒂尔、海豚、鸟类等。 - 美国大都会艺术博物馆展品查阅

品名（中）	装有教皇朱利叶二世和博洛尼亚的曼佐利的手臂的碗，周围环绕着普蒂、聚宝盆、萨蒂尔、海豚、鸟类等。
品名（英）	Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
入馆年号	1975年，1975.1.1015
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	workshop of Giovanni Maria Vasaro【1500 至 1530】
创作年份	公元 1508
创作地区
分类	陶瓷陶器（Ceramics-Pottery）
尺寸	高: 4 5/16 英寸 (10.9 厘米.); Diameter: 12 13/16 英寸 (32.5 厘米)
介绍（中）	这个华丽的碗被广泛认为是有史以来最美丽的珐琅器之一。它装饰着十六世纪初流行的古董风格的石窟。教皇钥匙和头饰下方突出的橡树、橡子的花饰和刻有"IV II"（朱利叶斯二世）的盾牌将这个物体与教皇朱利叶斯二世德拉罗韦雷（1503-12 年在位）联系起来，他的纹章装置是橡树。在下边缘是梅尔基奥雷·迪·乔治·曼佐利的徽章，他是博洛尼亚特使和教皇的忠实支持者，可能是碗的接受者。密集的图像，包括世俗和精神权威的象征，可能是为了纪念教皇于1506年凯旋进入博洛尼亚以及重新建立教皇在该市的统治。碗的背面是全釉面的，并装饰有程式化的鼠尾草叶图案。中间有一个异常详细的铭文，"1508 adi 12 de seteb/facta fu i Castel durat/Zoua maria vro"，确定了该物体的精确日期。这个铭文是唯一已知的关于其他未记录的乔瓦尼·玛丽亚·瓦萨罗的参考，他可能是画家，或者更有可能是生产碗的车间的所有者。
介绍（英）	This splendid bowl is widely regarded as one of the most beautiful pieces of majolica ever made. It is profusely decorated with the antique-inspired grotteschi that became popular in the early sixteenth century. The prominent oak tree beneath the papal keys and tiara, the festoons of acorns, and the shields inscribed "IV II" (for Julius II) associate this object with Pope Julius II della Rovere (r. 1503–12), whose heraldic device was the oak tree. At the lower edge the coat of arms of Melchiorre di Giorgio Manzoli, a Bolognese envoy and loyal supporter of the pope who was probably the bowl's recipient. The dense imagery, which includes emblems of both secular and spiritual authority, may commemorate the triumphal entry of the pope into Bologna in 1506 and the reestablishment of papal rule in the city. The back of the bowl is fully glazed and decorated with a stylized acanthus-leaf pattern. An unusually detailed inscription in the center, "1508 adi 12 de seteb/facta fu i Castel durat/Zoua maria vro," establishes the object's precise date. This inscription is the only known reference to the otherwise undocumented Giovanni Maria Vasaro, who may have been the painter or, more likely, the owner of the workshop that produced the bowl.