好头脑的快乐谜语 - 美国大都会艺术博物馆展品查阅

品名（中）	好头脑的快乐谜语
品名（英）	Enigmes Joyeuses pour les Bons Esprits
入馆年号	2016年，2016.360.1–.9
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jan van Haelbeeck【1595 至 1635】【佛兰德人】
创作年份	公元 1610 - 公元 1620
创作地区
分类	印刷品（Prints）
尺寸	Each: 4 5/16 × 5 1/2 英寸 (11 × 14 厘米)
介绍（中）	由Jan van Haelbeeck雕刻的一组9个图版，共10个图版中有小的国内场景，他是17世纪初在巴黎站稳脚跟的第一波佛兰德艺术家之一，这引起了法国版画的复兴，并导致法国在路易十四国王统治期间作为版画中心发挥了重要作用。这种类型的场景在17世纪的北欧尤其常见，揭示了不同阶层的人们的日常生活。在这种情况下，它们展示了女人演奏乐器或取水，家庭场景玩游戏或穿衣服，女人吃饭，以及人们在工作。1615年左右，让·勒克莱尔在十四行诗系列《Enigmes Joyeuses pour les Bons Esprits》中为他们制作或重复使用了这些十四行歌，在该系列中，他们各自出版了一首十四行行诗，暗示了这些活动的双重含义。尽管这部电视剧现在已经很少见了，但它在当时非常受欢迎和有影响力。由于伊尼格姆人的图像和十四行诗具有双重的、略带色情色彩的含义，大多数副本都可能丢失。
介绍（英）	Group of 9 plates from a total of 10 with small domestic scenes, engraved by Jan van Haelbeeck, one of the first wave of Flemish artist to establish themselves in Paris in the early 17th century, which caused a revival in French printmaking and led to the important role France would play as a center of printmaking during the reign of King Louis XIV. Genre scenes of these kind were especially common in Northern Europe in the 17th century, and reveal the everyday lives of people from different strata. In this case, they show women playing instruments or collecting water, household scenes playing games or getting dressed, a woman eating, and people at work. They were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. Although the series is quite rare nowadays, it was very popular and influential in its day. Most copies were likely lost due to the double, slightly erotic meaning of the images and sonnets of the Enigmes.