《日本和中国诗歌选集》（Wakan rōeishū），配箭藤底画 - 美国大都会艺术博物馆展品查阅

品名（中）	《日本和中国诗歌选集》（Wakan rōeishū），配箭藤底画
品名（英）	Anthology of Japanese and Chinese Poems (Wakan rōeishū) with Underpainting of Arrowroot Vines
入馆年号	2001年，2001.423
策展部门	亚洲艺术（Asian Art）
创作者	Konoe Nobuhiro【1599 至 1649】【日本人】
创作年份	公元 1600 - 公元 1633
创作地区
分类	绘画（Paintings）
尺寸	图像: 65 3/4 英寸 × 12 ft. 4 英寸 (167 × 375.9 厘米)
介绍（中）	三十六张诗卡；纸上的墨、色、金、银秋天枯萎的箭藤（kuzu）是题写在诗卡上的一系列日本和中国诗歌的背景。在东亚，诗歌、书法和绘画被认为是"三全"，自九世纪以来，日本人就用精美的书法题画和诗歌装饰屏风每块面板上都贴着三副石：每副石的右边写着一副中国诗的对联，左边写着一首waka（一首三十一音节的日本风格诗）。这些诗有着共同的主题，如四季、竹子、松树或云朵。这种独特的书法风格，笔画末端有钩子，字的轮廓高大细长，归功于贵族书法家近江信弘（1599-1649）。
介绍（英）	Thirty-six poem cards; ink, color, gold, and silver on paper Swaying arrowroot vines (kuzu) in autumnal decline serve as the background for an array of Japanese and Chinese poems inscribed on poem cards (shikishi). In East Asia the arts of poetry, calligraphy, and painting are considered the “three perfections,” and since the ninth century, the Japanese have decorated screens with paintings and poems inscribed in fine calligraphy. Three pairs of shikishi are pasted on each panel: each pair is inscribed with a couplet from a Chinese poem at the right and a waka (a thirty-one-syllable Japanese-style poem) at the left. The poems share common themes such as the four seasons, bamboo, pines, or clouds. The idiosyncratic style of calligraphy, with hooks at the ends of strokes and the tall, elongated profile of the characters, is attributable to the nobleman-calligrapher Konoe Nobuhiro (1599–1649).