富士山三十六景系列（Fugaku sanjūrokkei） - 美国大都会艺术博物馆展品查阅

品名（中）	富士山三十六景系列（Fugaku sanjūrokkei）
品名（英）	Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
入馆年号	1922年，JP1427
策展部门	亚洲艺术（Asian Art）
创作者	Katsushika Hokusai【1760 至 1849】【日本人】
创作年份	公元 1820 - 公元 1842
创作地区
分类	印刷品（Prints）
尺寸	高 9 15/16 英寸 (25.2 厘米); 宽 14 3/4 英寸 (37.5 厘米)
介绍（中）	鹤户谷是著名的Tōkaidō;路五十三个车站之一，位于江户所在的武藏省和西面的相模省之间。据说，在这一点上，西行的游客终于感受到了将江户大都市抛在身后的感觉，因为在鹤户谷，这条路延伸到一条美丽的大道上，两旁都是松树。当一个人沿着一座大山附近的路线徒步旅行时，人们会有一种感觉，那座山似乎永远在注视着，它的势不可挡的静止状态减缓了前进的速度。这种感觉在这幅版画中得到了抒情的表达。富士的静止与松树排的柔和节奏和旅行者爬行的步伐形成鲜明对比这幅版画的大都会博物馆版本与其他已知版本的颜色不同，上面有二十世纪初著名的日本艺术品经销商Tadamasa Hayashi的小圆印章，他对国际社会对北草和广治的艺术理解做出了巨大贡献。
介绍（英）	Hodogaya, one of the well-known fifty-three stations of the Tōkaidō road, is located between Musashi, the province in which Edo was located, and Sagami Province to the west. At this point, westbound travelers were said to have finally felt the sensation of having put the metropolis of Edo behind them, for at Hodogaya the road stretches into a beautiful avenue lined with pine trees on both sides. When one travels on foot along a course near a big mountain, one has the feeling that progress is slowed by the overwhelming immobility of the mountain that seems to be eternally watching. This sensation is lyrically expressed in this print. Fuji's immobility is emphasized in contrast to the gentle rhythm of the row of pine trees and the crawling pace of the travelers. The Metropolitan Museum version of this print, which is differently colored from other known versions, has the small round seal of Tadamasa Hayashi, the famous Japanese art dealer of the early twentieth century who contributed greatly to the international understanding of the art of Hokusai and Hiroshige.