《孔雀羽毛印章石和印章墨》，摘自春雨Surimono专辑（Harusame Surimono-jō），第1卷 - 美国大都会艺术博物馆展品查阅

品名（中）	《孔雀羽毛印章石和印章墨》，摘自春雨Surimono专辑（Harusame Surimono-jō），第1卷
品名（英）	Seal-stone and Seal-ink with Peacock Feathers, from Spring Rain Surimono Album (Harusame surimono-jō), vol. 1
入馆年号	1929年，JP1945
策展部门	亚洲艺术（Asian Art）
创作者	Totoya Hokkei【1780 至 1850】【日本人】
创作年份	公元 1817
创作地区
分类	印刷品（Prints）
尺寸	7 9/16 x 5 1/8 英寸 (19.2 x 13 厘米)
介绍（中）	Surimono是私人出版的木版印刷品，通常由诗人或诗歌团体委托制作，作为新年贺卡的一种形式。刻在版画上的诗歌，最常见的是kyōka（诙谐的三十一音节诗句），通常包括与春天有关的恰当意象，春天在农历正月初一开始。surimon的主题通常是博学的，经常在文本和图像中暗指日本文学经典这张专辑由伟大的巴黎日本艺术品经销商Tadamasa Hayashi编辑，共三张。Hayashi根据主题或创造了一种有吸引力的设计安排，在颜色和形状上都是互补的。鱼糜所用的颜料、印刷技术和纸张通常质量最高，是江户晚期木版印刷的缩影。
介绍（英）	Surimono are privately published woodblock prints, usually commissioned by poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images. This album belongs to a set of three compiled by Hayashi Tadamasa, the great Parisian dealer of Japanese art. Hayashi arranged the more than four hundred prints in the set on facing leaves according to themes, or in a way that created an attractive arrangement of designs, complementary in both color and shape. The pigments, printing techniques, and paper used for surimono often were of the highest quality, and represent the epitome of late Edo-period woodblock printing.