图坦卡蒙酋长 - 美国大都会艺术博物馆展品查阅

品名（中）	图坦卡蒙酋长
品名（英）	Head of Tutankhamun
入馆年号	1950年，50.6
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 1336 - 公元前 1327
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	高 17.2 厘米 (6 3/4 英寸); 宽 16 厘米 (6 5/16 英寸); 深 23.6 厘米 (9 5/16 英寸)
介绍（中）	这个头像是一个雕像群的碎片，雕像群代表一位坐在宝座上的神，年轻的国王图坦卡蒙就在他面前。国王的身材比神的身材要小得多，这表明他在神面前的从属地位。这位神剩下的只有他的右手，右手触摸着国王王冠的背面，这意味着图坦卡蒙被授予国王的头衔。在加冕仪式上，国王头上戴着各种各样的王冠。这里所代表的类型可能是一个缝有金属圆盘的皮革头盔，通常被漆成蓝色，通常被称为"蓝色王冠"。古代的名字是khepresh 显示国王和众神的雕像群自旧王国以来就一直存在，哈特谢普苏特和第18王朝的其他统治者在卡纳克供奉了与法老加冕有关的正式雕像群。大都会的图坦卡蒙头像与上帝的手是特别的，因为主题被亲密地对待。国王的脸上流露出令人感动的年轻认真，上帝的手轻轻地向他的王冠举起最近，一位学者在底比斯卡纳克的储藏室里，将一尊头部模型与一尊坚硬的石灰岩坐像的遗骸相匹配。她报告说，这种加入是最低限度的，但却是决定性的。这证实了博物馆的头像长期以来被认为来自卡纳克神庙，也解决了年轻国王的姿势问题——他站在而不是跪在上帝面前。卡纳克的坐神只从腰部以下被保存下来，并且受到了很大的损坏，但铭文中包含的独特的绰号"底比斯统治者"将他确定为阿蒙链接到82nd&；第五个片段
介绍（英）	This head is a fragment from a statue group that represented a god seated on a throne with the young king Tutankhamun in front of him. The king's figure was considerably smaller than that of the god, indicating his subordinate status in the presence of the deity. All that remains of the god is his right hand, which touches the back of the king's crown in a gesture that signifies Tutankhamun's investiture as king. During coronation rituals, various types of crowns were put on the king's head. The type represented here—probably a leather helmet with metal disks sewn onto it—was generally painted blue, and is commonly called the "blue crown." The ancient name was khepresh. Statue groups showing a king together with gods had been created since the Old Kingdom, and formal groups relating to the pharaoh's coronation were dedicated at Karnak by Hatshepsut and other rulers of Dynasty 18. The Metropolitan's head of Tutankhamun with the hand of the god is special because of the intimacy with which the subject is treated. The face of the king expresses a touching youthful earnestness, and the hand of the god is raised toward his crown with gentle care. A cast of the head has recently been matched by a scholar to the remains of an indurated limestone seated statue of a god in the storerooms at Karnak in Thebes. She reports that the join is minimal, but conclusive. This confirms the long supposed origin of the Museum's head from Karnak temple, and also resolves the question of the young king's pose - he was standing rather than kneeling in front of the god. The seated god at Karnak is only preserved from the waist down and is much damaged, but he is identified as Amun by the distinctive epithet "ruler of Thebes" included in the inscription. Link to 82nd & Fifth Fragment