微信公众号 
图码生活

每天发布有五花八门的文章,各种有趣的知识等,期待您的订阅与参与
搜索结果最多仅显示 10 条随机数据
结果缓存两分钟
如需更多更快搜索结果请访问小程序
美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
读取中
读取中
读取中
品名(中)矩形八度Virginal
品名(英)Rectangular Octave Virginal
入馆年号1889年,89.4.1778
策展部门乐器Musical Instruments
创作者
创作年份公元 1580 - 公元 1620
创作地区德国, 可能是奥格斯堡(Germany, Possibly Augsburg)
分类合唱琴瑟拨弦处女(Chordophone-Zither-plucked-virginal)
尺寸高: 3 9/16 英寸 (9.1 厘米) 宽 (parallel to keyboard): 17 3/8 英寸 (44.1 厘米) Depth (perpendicular to keyboard): 8 9/16 英寸 (21.8 厘米)
介绍(中)这只小处女是为一位女士的客厅准备的,既可以作为缝纫箱,也可以作为休闲音乐制作和伴奏的乐器。黑檀木的棺材状表壳是老塞缪尔·比德曼的风格,可能制作于1600年左右的奥格斯堡,上面装饰着汉斯·塞巴尔德·贝汉姆和老克里斯皮恩·范德帕斯的版画。一个精致的羊皮纸玫瑰花结装饰着音孔。盖子的顶部可以放两个浅抽屉,也许是用来放缝纫设备的。这首处女曲的声音比正常音高高出一个八度,并不适合严肃的音乐创作,但f–f"'的三个八度键盘指南针(在低八度中省略了f-sharp和g-sharp)大致涵盖了女性和儿童的声音范围

这种乐器在17世纪上半叶很流行,是奥格斯堡橱柜和乐器制造商的专长。该仪器既没有制造商的名字,也没有奥格斯堡标志,可能是由一名计件工人为经销商制造的。在任何情况下都不会授予该标志,因为该乐器不是由实心乌木制成的。相反,制造商使用柔软的盲木,并用乌木贴面,在某些地区,他使用黑色清漆来模仿乌木

技术说明:黑檀木和深色染色的木头的箱子,盖子里有两个小抽屉,盖子里面用彩色纸印装饰,可能不是原装的;指南针f.g.a.--f3,键杆正面为黑色的自然骨,黑檀木板的黑色凹凸,键盘前导轨、平衡导轨和后导轨粘在底部,键的倾斜由前导轨上的衬垫控制,键由支架中的木滑片引导;千斤顶由梨制成,带有山毛榉舌头、黄铜片簧(有些是套筒的替代品)、套筒拨片、单旗阻尼器和小铅锤,千斤顶由粘在响板上的穿孔皮革条和单独的下导轨引导,两个千斤顶共用一个槽,但在每个槽的响板下方粘了一个小横杆,以分离千斤顶;响板上有一朵穿孔的羊皮纸玫瑰。(道格拉斯·梅普尔1983)
介绍(英)The small virginal was for a lady’s parlor, serving both as sewing box and as instrument for casual music making and to accompany singing. The ebony, casketlike case is in the style of Samuel Biedermann the Elder, probably made in Augsburg about 1600, and is decorated with engravings by Hans Sebald Beham and the elder Crispijn van de Passe. A delicate parchment rosette adorns the sound hole. Two shallow drawers, perhaps for sewing equipment, fit into the top of the lid. Sounding an octave above normal pitch, this virginal was not intended for serious music-making, but the three octave keyboard compass of f–f”’ (omitting f-sharp and g-sharp in the low octave) approximately covers the range of women’s and children’s voices.

Such instruments, fashionable in the first half of the seventeenth century, were a specialty of Augsburg cabinet and instrument makers. The instrument, having neither maker’s name nor the Augsburg hallmark, was probably built by a pieceworker for a distributor. The hallmark would have not been granted in any case, as the instrument is not made of solid ebony. Rather, the maker used soft blind wood and veneered it with ebony, and in some areas he resorted to black varnish to imitate ebony.

Technical description: Case of ebony and dark-stained wood with two small drawers in the lid, the inside of the lid is decorated with colored paper prints, probably not original; compass f.g.a. --f3, bone naturals with fronts of key levers stained black, black stained accidentals with ebony plates, keyboard front rail, balance rail, and back rail are glued to the bottom, key dip controlled by padding on front rail, keys guided by wooden slips in rack; jacks are of pear with beech tongues, brass leaf springs (some are quill replacements), quill plectra, single flag dampers, and small lead weights, jacks are guided by punched leather strips glued to the soundboard and separate lower guide, two jacks share on slot, but a small crosspiece has been glued below the soundboard in each slot to separate the jacks; the soundboard has a small pierced parchment rose. (Douglas Maple 1983)
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。