《圣母加冕礼与最后审判》双子画 - 美国大都会艺术博物馆展品查阅

品名（中）	《圣母加冕礼与最后审判》双子画
品名（英）	Diptych with the Coronation of the Virgin and the Last Judgment
入馆年号	1970年，1970.324.7a, b
策展部门	修道院（The Cloisters）
创作者
创作年份	公元 1260 - 公元 1270
创作地区	制造于: 法国, 可能是巴黎（Made in: France, probably Paris）
分类	Ivores大象（Ivories-Elephant）
尺寸	整体 (opened): 5 x 5 1/8 x 3/4 英寸 (12.7 x 13 x 1.9 厘米)
介绍（中）	这幅手掌大小的象牙双联画旨在供其主人的私人沉思和奉献，既说明了救赎的奖赏，也说明了诅咒的后果。左翼代表圣母加冕礼。在底部，一个得救灵魂的随从，包括一个乞丐修道士，一个国王，一个教皇，可能还有一个执事，被一个天使带到一个梯子上，通往天堂，他指路。在右翼，基督在携带受难乐器的天使的陪伴下，展示了他被钉十字架的伤口。当死者从坟墓中被召唤时，跪着的圣母玛利亚和施洗者圣约翰在最后的审判中担任他们的代祷者。该死的人出现在右下角，在两个怪异恶魔的命令下一头扎进了地狱之口。这些主题改编自当代建筑雕塑中的表征，设置在一系列三叶形尖顶拱廊中，并以极高的浮雕优雅雕刻而成。柔软的雕刻使救赎和谴责的戏剧的对称表现更加生动。
介绍（英）	Intended for the private contemplation and devotion of its owner, this palm-size ivory diptych illustrates both the reward of salvation and the consequence of damnation. The left wing represents the Coronation of the Virgin. At the bottom a retinue of the saved souls, including a mendicant friar, a king, a pope, and possibly a deacon, is ushered up a ladder to the celestial paradise by an angel who points the way. In the right wing Christ, accompanied by angels carrying instruments of the Passion, displays the wounds of his Crucifixion. As the dead are called from their graves, the kneeling Virgin Mary and Saint John the Baptist serve as their intercessors in the Last Judgment. The damned appear in the lower right, pushed headfirst into the mouth of Hell at the order of two grotesque devils. Adapted from representations in contemporary architectural sculpture, these subjects are set within a series of trefoil-cusped arcades and are elegantly carved in exceptionally high relief. The supple carving enlivens the symmetrical representation of the drama of redemption and condemnation.