Tondo镜架 - 美国大都会艺术博物馆展品查阅

品名（中）	Tondo镜架
品名（英）	Tondo mirror frame
入馆年号	1975年，1975.1.2158
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Benedetto da Maiano【1442 至 1497】【意大利人】
创作年份	公元 1480
创作地区
分类	框架（Frames）
尺寸	整体: 21 7/16 × 14 3/4 英寸 (54.5 × 37.5 厘米) Sight: 5 × 5 1/8 英寸 (12.7 × 13 厘米)
介绍（中）	十五世纪和十六世纪，圆形或tondo框架内装有镜子或宗教图像，是托斯卡纳流行的一种家居装饰。这种镜子的凸面玻璃是独创的，是整个欧洲十五世纪镜子的特征。浅浮雕框架是通过将灰泥压入模具制成的，这是中世纪晚期以后雕塑和建筑装饰中常见的一种技术。无论是框架底部的两个推杆所持的盾牌，还是背面的花押字，可能是制造商在潮湿的灰泥上留下的标记，都没有被识别出来。装饰的风格，尤其是推杆，与佛罗伦萨著名雕塑家贝内德托·达迈亚诺（1442-1497）的工作室有关，他也活跃在锡耶纳，这个框架可能就是在那里制作的。尽管它们是在1975年带着罗伯特·雷曼收藏的礼物进入博物馆的，但罗伯特·雷曼组装的这些引人注目的古董相框直到1990年才被作为艺术品收藏，为标志性的展览"镀金边缘：相框的艺术"做准备
介绍（英）	Round, or tondo, frames housing mirrors or devotional images were a popular type of domestic furnishing in Tuscany in the fifteenth and sixteenth centuries. The convex glass of this mirror is original and is characteristic of fifteenth-century mirrors throughout Europe. The shallow relief frame was made by pressing stucco into a mold, a technique commonly encountered in sculpture and architectural decoration from the late Middle Ages onward. Neither the shield held by the two putti at the bottom of the frame nor the monogram on the reverse, presumably the maker's mark traced into the wet stucco, has been identified. The style of the ornament, especially the putti, has been associated with the workshop of Benedetto da Maiano (1442–1497), a prominent Florentine sculptor who was also active in Siena, where this frame may have been made. Although they entered the Museum with the gift of his collection in 1975, the remarkable antique frames assembled by Robert Lehman were not accessioned as works of art until 1990 in preparation for the landmark exhibition "The Gilded Edge: The Art of the Frame."