带牧羊人崇拜、三贤人崇拜和报喜的祭坛。 - 美国大都会艺术博物馆展品查阅

品名（中）	带牧羊人崇拜、三贤人崇拜和报喜的祭坛。
品名（英）	Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
入馆年号	1975年，1975.1.1558
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Reinhold Vasters【1827 至 1909】【德国人】
创作年份	公元 1550 - 公元 1890
创作地区
分类	玻璃（Glass）
尺寸	高 16 1/8 英寸 (41 厘米), w. 8 1/16 英寸 (20.4 厘米), d. 2 3/8 in (6 厘米).
介绍（中）	这个会幕屋的祭坛包含反向彩绘的玻璃面板，描绘了牧羊人的崇拜、贤士的崇拜和天使报喜，这些可能是 16 世纪下半叶在伦巴第大区绘制的。然而，木框架是在十九世纪制造的，可能是由莱因霍尔德·韦斯特斯（1827-1909）或他工作室中的某个人制作的。韦斯特斯是一位技艺精湛的德国银匠和金匠，曾一度在亚琛大教堂的宝库中担任修复师。在那里，本着十九世纪历史主义的精神，他不仅修复了而且更换了磨损或损坏的礼仪物品。雷曼会幕的祭坛很可能是专门为容纳一套十六世纪的反彩面板而建造的。统一的程序和十块水晶板上绘画风格的相似性表明它们是从一块中清除的。
介绍（英）	This tabernacle house altar contains reverse-painted glass panels depicting the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation, which were probably painted in Lombardy in the second half of the sixteenth century. The wooden frame, however, was made in the nineteenth century, probably by Reinhold Vasters (1827-1909) or someone in his workshop. Vasters was a highly skilled German silversmith and goldsmith who for a time served as restorer at the Aachen Cathedral treasury. There, in the spirit of nineteenth-century historicism, he not only restored but also replaced worn or damaged liturgical objects. It is likely that the Lehman tabernacle house altar was made expressly to house a set of sixteenth-century reverse-painted panels. The unified program and the similarity of the style of the painting on the ten rock crystal panels suggest that they were scavenged from a single piece.