衣帽间框架 - 美国大都会艺术博物馆展品查阅

品名（中）	衣帽间框架
品名（英）	Tabernacle frame
入馆年号	1975年，1975.1.1638
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	del Tasso
创作年份	公元 1527 - 公元 1533
创作地区
分类	框架（Frames）
尺寸	整体: 29 1/2 × 14 9/16 英寸 (75 × 37 厘米) Sight: 10 15/16 英寸 × 8 英寸 (27.8 × 20.3 厘米) Rabbet: 11 7/8 × 8 11/16 英寸 (30.2 × 22.1 厘米)
介绍（中）	会幕框架的特点是建筑结构和装饰构件，通常基于经典先例。这种类型的框架在十五世纪越来越受欢迎，并且在十六世纪发展了更精致和创造性的形式，之后它基本上过时了。对虚荣心的警告铭文，"不是美，而是真理值得欣赏"出现在漩涡花饰中，位于这个雕刻精美的框架底部边缘的两只狮鹫下方，该框架最初装有一面镜子。像大多数十六世纪的佛罗伦萨镜子一样，它最初包括一个滑动百叶窗来覆盖玻璃：百叶窗通过框架右侧壁柱的插槽已填充现代木材修复。在此期间，胡桃木是一种昂贵的木材，具有坚硬致密的纹理，适合雕刻尖锐的细节，主要用于奢侈品。这个框架上的狮鹫的设计和雕刻方式表明，这归因于马可和弗朗切斯科·德尔·塔索的工作室，该工作室三代人都以其木雕而闻名。
介绍（英）	A tabernacle frame is characterized by architectonic structural and decorative members, most often based on classical precedents. This type of frame grew increasingly popular during the fifteenth century, and more elaborate and inventive forms developed during the sixteenth century, after which it largely went out of fashion. An inscription warning against vanity, "Not beauty but truth is to be admired," appears in the cartouche below two griffins at the bottom edge of this finely carved frame that originally housed a mirror. Like most sixteenth-century Florentine mirrors, it originally included a sliding shutter to cover the glass: the slot through which the shutter passed in the right pilaster of the frame, has been filled with a modern wood repair. During this period, walnut, a costly wood with a hard dense grain suitable for carving sharp detail, was primarily reserved for luxury objects. The manner in which the griffins on this frame were designed and carved suggests an attribution to the workshop of Marco and Francesco del Tasso, which for three generations was famous for its woodcarving.