鹿特丹伊拉斯谟 - 美国大都会艺术博物馆展品查阅

品名（中）	鹿特丹伊拉斯谟
品名（英）	Erasmus of Rotterdam
入馆年号	1975年，1975.1.138
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Hans Holbein the Younger【1497 至 1543】【德国人】
创作年份	公元 1527 - 公元 1537
创作地区
分类	绘画（Paintings）
尺寸	7 1/4 x 5 9/16 英寸 (18.4 x 14.2 厘米); painted surface 6 15/16 x 5 1/2 英寸 (17.6 x 14 厘米)
介绍（中）	小汉斯·霍尔拜因是十六世纪最著名的肖像画家之一。在很小的时候，他就赢得了为巴塞尔著名商人画像的委托，在后来的几年里，他吸引了包括托马斯·莫尔爵士在内的英国强大的赞助人。霍尔拜因为伟大的人道主义者和鹿特丹学者伊拉斯谟（1466/1469-1536）创作了几幅肖像。伊拉斯谟的半身轮廓是四分之三，他的手刚好可以从外套的毛皮袖口之间看到，他出现在1530年左右，当时他大约60岁。保姆的灰色头发从他的黑色帽子下探出来，嘴巴周围有深深的皱纹，他粗短的下巴下的皮肤有松动的迹象，但伊拉斯谟敏锐的黑眼睛仍然充分显示出他学术头脑的敏感性和强度。霍尔拜因与人文主义者和学者的密切联系不仅体现在这些和其他令人钦佩的肖像中，也体现在1526年伊拉斯谟代表霍尔拜因前往英国时写给他在英国的朋友的介绍信中。正是通过伊拉斯谟，霍尔拜因被委托为托马斯·莫尔爵士及其家人绘制肖像。这幅面板左上角画的白色标签是后来添加的，是在霍尔拜因去世约50年后制作的，当时这幅画被萨里和伦敦的约翰、拉姆利勋爵收藏。
介绍（英）	Hans Holbein the Younger was one of the most celebrated portraitists of the sixteenth century. At an early age he won commissions to paint portraits of prominent merchants in Basel, and in later years he attracted powerful patrons in England, including Sir Thomas More. Holbein made several portraits of the great humanist and scholar Erasmus of Rotterdam (1466/1469 - 1536). Shown in half-length three-quarter profile, his hands just visible between the fur cuffs of his coat, Erasmus is depicted as he appeared around 1530, when he was about sixty. Tufts of the sitter's gray hair poke out from beneath his black cap, deep lines mark the area around his mouth, and the skin shows signs of loosening below his stubbly chin, but the sensitivity and intensity of Erasmus's scholarly mind are still richly apparent in his piercing dark eyes. Holbein's close association with the humanist and scholar is reflected not only in these and other admiring portraits but also in the letters of introduction written on Holbein's behalf by Erasmus to his friends in England when the artist traveled there in 1526. It was through Erasmus that Holbein was commissioned to paint portraits of Sir Thomas More and his family. The white label painted at the upper left of this panel is a later addition, made some fifty years after Holbein's death when the painting was in the collection of John, Lord Lumley of Surrey and London.