在秋天的树林里享受荒野 - 美国大都会艺术博物馆展品查阅

品名（中）	在秋天的树林里享受荒野
品名（英）	Enjoying the Wilderness in an Autumn Grove
入馆年号	1989年，1989.363.38
策展部门	亚洲艺术（Asian Art）
创作者	Ni Zan【1306 至 1374】【中国人】
创作年份	公元 1339
创作地区
分类	绘画（Paintings）
尺寸	图像: 38 5/8 × 27 1/8 英寸 (98.1 × 68.9 厘米) 整体 with mounting: 8 ft. 10 7/8 英寸 × 35 7/8 英寸 (271.5 × 91.1 厘米) 整体 with knobs: 8 ft. 10 7/8 英寸 × 40 英寸 (271.5 × 101.6 厘米)
介绍（中）	直到13世纪40年代初，倪赞一直过着富裕的业余爱好者的生活，他在清幽阁的珍贵书籍、古董和鲜花中度过。如图所示，他当时的绘画风格表现出一种经过研究的复古风格，在这种风格中，他对描述细节的兴趣与他以十世纪大师的方式自觉使用书法"大麻纤维"笔触的方式不一致。倪先生坐在一个乡村的亭子里，是他画室里学者的简写。他那首华丽的诗展现了一种同样珍贵的品质，那就是完全沉浸在他周围的环境中。上面写着：在晴朗的日子里，竹子在微风中摇曳<在黑夜里，冷杉的阳伞托起了月亮烧香我用镀金鸭子的香炉<收集散落的花瓣，我把它们放在枕头里（文芳翻译）
介绍（英）	Until the early 1340s, Ni Zan lived the life of a wealthy dilettante, spending his time among the precious books, antiques, and flowers of his Pure and Secluded Pavilion. His painting style at the time, as seen here, exhibits a studied archaism in which his interest in descriptive detail is at odds with his self-conscious use of calligraphic "hemp fiber" brushstrokes in the manner of tenth-century masters. Ni's gentleman seated in a rustic pavilion is shorthand for the scholar in his studio. His florid poem exhibits a similarly precious quality of one entirely absorbed in his immediate surroundings. It reads, in part: In the bright days, bamboo wave in the breeze; In the dark nights, parasols of fir hold up the moon. Burning incense I use [a censer in the form of] a gilded duck; Gathering scattered petals, I place them inside my pillow. (trans. Wen Fong)