圣母休眠；（反面）基督背十字架 - 美国大都会艺术博物馆展品查阅

品名（中）	圣母休眠；（反面）基督背十字架
品名（英）	The Dormition of the Virgin; (reverse) Christ Carrying the Cross
入馆年号	2011年，2011.485a, b
策展部门	欧洲绘画（European Paintings）
创作者	Hans Schäufelein【1480 至 1540】【德国人】
创作年份	公元 1505 - 公元 1515
创作地区
分类	绘画（Paintings）
尺寸	55 x 53 1/8 英寸 (139.7 x 134.9 厘米)
介绍（中）	正面标签：这个巨大的双面面板是构成折叠三联画翅膀的四个面板之一。打开后，祭坛画展示了圣母玛利亚在这里的生活片段——她的死亡，或睡魔。丢勒的影响在使徒们个性化的头脑中传达的人性以及他们平静悲伤的集中情绪中显而易见。Schäufelein是丢勒最有天赋的学生之一，他的风格最一贯地体现了这位伟大的德国大师的影响力。1509年至1515年间，他还曾在奥格斯堡的汉斯·霍尔拜因长老工作室任职。有关这幅画的更多信息，包括三联画的重建，请访问metmuseum.org。反向标签：当关闭时，这个面板所属的纪念性三联画显示了基督受难记的场景。它们是由一位被称为恩格尔达大师的艺术家绘制的，并以老汉斯·霍尔拜因的设计为基础。Hans Schäufelein在绘画过程的后期介入，在右上角添加了一个折磨者，并改变了拉绳器的位置，以实现更动态、更积极的表达。情绪崩溃的基督从画中向外看，而不是向下看地面，这一场景的戏剧性情绪得到了升华。
介绍（英）	Front label: This large, double-sided panel is one of four that formed the wings of a folding triptych. When open, the altarpiece showed episodes from the life of the Virgin Mary—here her death, or dormition. Dürer’s influence is evident in the humanity conveyed in the individualized heads of the apostles and their concentrated mood of quiet sorrow. Schäufelein was among Dürer's most gifted pupils and the one whose style most consistently showed the influence of the great German master. Between 1509 and 1515, he also served in the Augsburg workshop of Hans Holbein the Elder. For more information about this painting, including a reconstruction of the triptych, visit metmuseum.org. Reverse label: When closed, the monumental triptych to which this panel belonged showed scenes from the Passion of Christ. They were painted by an artist known as the Master of Engerda and were based on designs by Hans Holbein the Elder. Hans Schäufelein intervened at a late stage in the painting process, adding a tormenter at the upper right and altering the position of the rope-puller to achieve a more dynamic, active expression. The scene’s dramatic mood is heightened by the emotionally shattered Christ, who looks out of the painting rather than down at the ground.