竹子和岩石 - 美国大都会艺术博物馆展品查阅

品名（中）	竹子和岩石
品名（英）	Bamboo and rocks
入馆年号	1973年，1973.120.7a, b
策展部门	亚洲艺术（Asian Art）
创作者	Li Kan【1245 至 1320】【中国人】
创作年份	公元 1318
创作地区
分类	绘画（Paintings）
尺寸	图像 (each): 74 3/4 x 21 3/4 英寸 (189.9 x 55.2 厘米) 整体 with mounting (each): 106 3/16 x 22 3/8 英寸 (269.7 x 56.8 厘米) 整体 with knobs (each): 106 3/16 x 23 英寸 (269.7 x 58.4 厘米)
介绍（中）	李堪是一名中国北方人，他早期加入蒙古政府，在元朝获得了很高的地位。作为一篇关于竹子绘画的权威论文的作者，李表示，画家必须拥有"胸中完整的竹子"，他敦促政治家们学习竹子绘画，以训练他们的思想，扩大他们的视野李在1318年完成了这些小组，也就是蒙古政权恢复公务员考试的那一年，公务员考试是学者获得公职的主要手段。这幅画是用双凹或"双重轮廓"的竹画风格完成的。这种技术将精细绘制的墨水轮廓填充在致密的矿物颜料中，非常适合李侃对竹子的强烈识别。这些高贵的植物经过细致的观察和复杂的渲染，呈现出接近肖像画的高度真实感。
介绍（英）	Li Kan was a northern Chinese who entered the service of the Mongol government at an early period and rose to a high position in the Yuan court. The author of an authoritative treatise on bamboo painting, Li stated that the painter must possess "the complete bamboo in [his] breast," and he urged statesmen to take up bamboo painting to discipline their minds and expand their breadth of vision. Li completed these panels in 1318, the year the Mongol regime reinstituted the civil-service examinations, the chief means for scholars to gain access to official positions. The painting is done in the shuangou, or "double-outline," style of bamboo painting. This technique, in which finely drawn ink outlines are filled in with dense mineral pigments, was ideally suited to Li Kan's intense identification with bamboo. Minutely observed and intricately rendered, these noble plants take on a heightened sense of reality that approaches portraiture.