湖畔亭 - 美国大都会艺术博物馆展品查阅

品名（中）	湖畔亭
品名（英）	Pavilion by the Lake
入馆年号	1915年，15.96.2
策展部门	亚洲艺术（Asian Art）
创作者	Samoje【1771 至 1779】【韩国人】
创作年份	公元 1767 - 公元 1799
创作地区
分类	绘画（Paintings）
尺寸	17 7/8 x 10 7/8 英寸 (45.4 x 27.6 厘米)
介绍（中）	Samoje（字面意思是"三五工作室"）是一位朝鲜时期艺术家的风格名称，可能是一位中产阶级的专业画家。他的名字和传记尚未确定，因为缺乏文件，很难确认许多朝鲜画家的身份，即使是那些已知签名或印章的画家这两幅作品可能被认为是一对卷轴。这些作品可能改编自从中国进口的流行的明代（1368-1644）绘画手册，其中最著名的是《芥子园画谱》。这两幅作品的风格反映了"南派"文人画的影响，其概念框架已由中国艺术家董其昌（1555-1636）正式确立。这种山水画风格从17世纪末到19世纪初在韩国流行起来，并被各种艺术谱系的画家自由改编。Samoje的画作展现了一组朝鲜晚期风景画中典型的轻松的笔触和简单但令人愉悦的构图。
介绍（英）	Samoje (literally, Studio of Three-Five) is the style name of a Joseon-period artist, probably a professional painter from the jungin (middle people) class. His given name and biography have not yet been determined, for a lack of documentation makes it difficult to confirm the identities of many Joseon painters, even those whose signatures or seals are known. These two works may have been conceived as a pair of hanging scrolls. The compositions were likely adapted from popular Ming-dynasty (1368–1644) painting manuals imported from China, the most famous of which was the Mustard Seed Garden Manual of Painting. The style of the two pieces reflects the influence of "Southern School" literati painting, whose conceptual framework had been formalized by the Chinese artist Dong Qichang (1555–1636). This style of landscape painting became popular in Korea from the end of the seventeenth through the early nineteenth century and was freely adapted by painters of various artistic lineages. Samoje's paintings exhibit the relaxed brushwork and uncomplicated yet pleasing compositions typical of a group of late Joseon landscapes.