琉璃殿学士 - 美国大都会艺术博物馆展品查阅

品名（中）	琉璃殿学士
品名（英）	Scholars of the Liuli Hall
入馆年号	1977年，1977.49
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1267 - 公元 1299
创作地区
分类	绘画（Paintings）
尺寸	图像: 12 3/8 × 50 9/16 英寸 (31.4 × 128.4 厘米) 整体 with mounting: 15 1/8 英寸 × 27 ft. 5 1/2 英寸 (38.4 × 836.9 厘米)
介绍（中）	琉璃堂的学者们纪念诗人王昌龄（约713-41年）在江宁（今江苏省南京市）的官邸举办的一次著名聚会。同一篇作品的早期删减版，名为《文艺汇萃》（北京故宫博物院），出自韩黄（723-787）之手。然而，这些服装和人物的绘画风格将这些作品与伟大的南唐宫廷画家周文举（937-75）联系在一起，他用"颤抖的画笔"（占比）画窗帘在大都会的卷轴中，周的十世纪风格被一位十三世纪的艺术家所改变。敏感地画出的面孔在风格上是宋晚期的；虽然它们比唐（618-907）的例子更具示意性，但比晚明（16-17世纪）的例子构思得更扎实、更立体。在描述人物的长袍时，周文菊的"颤抖的笔触"成为了一种精湛的表演：优雅的飘动线条，既俏皮又自信，完美地融合在一起，代表折痕和口袋的钩子和曲线显示出只有南宋晚期最优秀的人物画家才能与之相匹配的奢华现实主义。
介绍（英）	Scholars of the Liuli Hall commemorates a famous gathering hosted by the poet Wang Changling (act. ca. 713-41) at his official residence in Jiangning (modern Nanjing, Jiangsu Province). An earlier, cut-down version of the same composition, entitled simply Literary Gathering (Palace Museum, Beijing), is attributed to Han Huang (723-787). The costumes and the style in which the figures are drawn, however, relate these works to Zhou Wenju, the great Southern Tang (937-75) court painter who used a "tremulous brush line" (zhanbi) to draw drapery. In the Metropolitan's scroll, Zhou's tenth-century style has been transformed by a thirteenth-century artist. The sensitively drawn faces are late Song in style; while more schematic than Tang (618-907) examples, they are more solidly and three-dimensionally conceived than those of the late Ming (16th-17th century). In describing the figures' robes, Zhou Wenju's "tremulous brush line" has become a virtuoso performance: elegant fluttering lines, at once playful and confident, are well integrated, and the hooks and curves representing creases and pockets show an extravagant realism matched only by the best late Southern Song Academy figure painters.