埃及风格的烟囱，来自Diversie Maniere d‘adornare i cammini（…）（装饰烟囱和房屋所有其他部分的不同方式） - 美国大都会艺术博物馆展品查阅

品名（中）	埃及风格的烟囱，来自Diversie Maniere d‘adornare i cammini（…）（装饰烟囱和房屋所有其他部分的不同方式）
品名（英）	Chimneypiece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimneypieces and all other parts of houses)
入馆年号	1973年，1973.509.8
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giovanni Battista Piranesi【1720 至 1778】【意大利人】
创作年份	公元 1764 - 公元 1774
创作地区
分类	印刷品（Prints）
尺寸	页: 15 3/4 x 21 9/16 英寸 (40 x 54.7 厘米) Plate: 9 13/16 x 15 1/4 英寸 (25 x 38.7 厘米)
介绍（中）	《多样化的狂热》开篇的长文是献给教皇克莱门特十三世的侄子、皮拉内西的狂热支持者之一雷佐尼科枢机主教的，但鉴于意大利语、英语和法语的平行文本，这篇长文显然是为广大读者准备的。尽管《AntichitàRomane》是一部面向古董商和建筑师的学术作品，但该出版物主要面向设计师，鼓励他们效仿皮拉内西，让自己的想象力自由支配。皮拉内西直截了当地指出，艺术家不应该仅仅复制，而是"应该向自己展示一个有创造力的，我几乎说过的，一个创造天才……"在这里，皮拉内塞借鉴了三十年来对罗马装饰的研究，创造了新的变体和奇怪的组合，但他也介绍了伊特鲁里亚语、希腊语、，埃及艺术似乎特别喜欢后者。皮拉内西声称，通过将这些风格相结合，现代设计师可以找到"新的装饰和新的方式"。本出版物中展示的一些壁炉设计，其中许多融合了古代浮雕，是为英国客户设计的，至今仍在保留。皮拉内西也曾为红衣主教雷佐尼科设计家具。
介绍（英）	The lengthy essay that opens the 'Diverse maniere' is dedicated to Cardinal Rezzonico, nephew of Pope Clement XIII and one of Piranesi's ardent supporters, but is clearly intended for a wide audience, given the parallel texts in Italian, English, and French. Whereas the 'Antichità Romane' was a scholarly work, directed to antiquarians and architects, this publication is addressed primarily to designers, encouraging them to follow Piranesi's lead in giving their imagination free reign. Piranesi states forthrightly that an artist should not merely copy but instead "ought to show himself of an inventive, and I had almost said, of a Creating Genius ..." Here Piranesi draws on three decades of study of Roman ornament to create new variants and bizarre combinations, but he also introduces the decorative vocabulary of Etruscan, Greek, and Egyptian art—appearing to revel particularly in the latter. Piranesi claimed that by combining these styles, modern designers could find their way to "new ornaments and new manners." Some of the fireplace designs illustrated in this publication, many of which incorporate ancient relief sculpture, were executed for British clients and still survive. Piranesi is also known to have designed furniture for Cardinal Rezzonico.