新旧豁免的寓言 - 美国大都会艺术博物馆展品查阅

品名（中）	新旧豁免的寓言
品名（英）	Allegory of the Old and New Dispensations
入馆年号	1967年，67.95.10
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Carlo Maratti【1625 至 1713】【意大利人】
创作年份	公元 1700 - 公元 1708
创作地区
分类	图画（Drawings）
尺寸	11 7/8 x 8 5/16英寸 (30.2 x 21.1厘米)
介绍（中）	这幅画是多产的马拉蒂的晚期作品，描绘了一个复杂的神学寓言。聚集在一个祭坛周围，祭坛上放着装有圣体圣事酒的圣杯，是四位福音传道者，福音书的作者和新天命的代表。在右边的背景中，国王祭司麦基洗德在献祭时向上凝视着一个天使，他拿着一块代表摩西五经（希伯来圣经或摩西五书）或可能是律法碑的牌位。这个附属画面是对旧律法或旧天命的写照，根据天主教神学，旧律法或旧天命随着基督教的出现而被取代。马拉蒂制作了这幅画，作为 1714 年出版的精美弥撒书卷首的设计。这位艺术家的一位传记作者报告说，这位年迈的艺术家在他最后的几年中患有麻痹症，这使他的活动仅限于制作素描和素描，其中许多是作为版画设计制作的。这种复杂而美丽的设计证实了这种书面传记证词。彼得·德雷耶（Peter Dreyer）将马拉蒂（Maratti）的这幅晚期画作确定为乔瓦尼·吉罗拉莫·弗雷扎（Giovanni Girolamo Frezza）在1708年的版画中反向复制的（Dreyer 1969）。这幅画的干燥复制品在温莎城堡的皇家图书馆。尽管德雷尔将温莎的画作作为马拉蒂的原作出版，但安东尼布朗特认为这是大都会博物馆图纸的旧副本（布朗特 1971 年）。（有关完整的参考书目，请参阅此处"参考文献"）
介绍（英）	A late work by the prolific Maratti, this drawing depicts a complex theological allegory. Gathered around an altar on which rests a chalice containing the Eucharistic wine are the four Evangelists, authors of the Gospels and representatives of the New Dispensation. In the background at the right is the king-priest Melchizedek making an offering while gazing upward at an angel holding a tablet that represents either the Pentateuch (the Hebrew Bible, or Five Books of Moses), or possibly the Tablets of the Law. This subsidiary tableau is a portrayal of the Old Law or Old Dispensation that, according to Catholic theology, was superseded with the advent of Christianity. Maratti produced this drawing as the design for the frontispiece of an elaborate missal published in 1714. One of the artist's biographers reports that the aged artist in his last years suffered from a palsy that restricted his activity to the production of drawings and sketches, many produced as designs for engravings. This complex and beautiful design confirms such written biographical testimony. Peter Dreyer identified this late drawing by Maratti as that reproduced in reverse by Giovanni Girolamo Frezza in an engraving dated 1708 (Dreyer 1969). A dry replica of the present drawing is in the Royal Library, Windsor Castle. Although Dreyer published the Windsor drawing as an original by Maratti, Anthony Blunt suggested that it is an old copy after the Metropolitan Museum's sheet (Blunt 1971). (For full bibliography see here "References")