老树下醉醺醺的隐士 - 美国大都会艺术博物馆展品查阅

品名（中）	老树下醉醺醺的隐士
品名（英）	Drunken recluse beneath an old tree
入馆年号	2005年，2005.494.4
策展部门	亚洲艺术（Asian Art）
创作者	Chen Zihe【1500 至 1533】【中国人】
创作年份	公元 1500 - 公元 1533
创作地区
分类	绘画（Paintings）
尺寸	图像: 69 英寸 × 40 1/4 英寸 (175.3 × 102.2 厘米) 整体 with mounting: 9 ft. 9 英寸 × 47 3/8 英寸 (297.2 × 120.3 厘米) 整体 with knobs: 9 ft. 9 英寸 × 52 英寸 (297.2 × 132.1 厘米)
介绍（中）	到了15世纪末，宫廷不再是艺术的主要赞助人，因此职业画家转向私人赞助商和市场，作为他们作品的出口，采用了大胆的执行风格，将绘画转变为一种行为艺术。13世纪，禅僧艺术家首次采用大胆的单色绘画和分级水墨的习惯，这些艺术家创作出了令人眼花缭乱的作品，常常在旁观者面前大跌眼镜富凯派画家陈子和是这一传统中一位重要的地区大师，他用"不受约束的不朽"这个绰号来强调他对传统的排斥。陈的幽默和有点挑衅的醉酒仙人形象展示了他艺术的所有关键惯例。浅浅的画面空间和紧凑的构图由强大的对角线构成，加强了戏剧性的焦点，而高度生动的笔触则为画面元素的巨大规模提供了生动的对比，其中许多元素被框架截断。
介绍（英）	By the end of the fifteenth century the court had ceased to be the principal patron of the arts, so professional painters turned to private sponsors and to the marketplace as outlets for their work, adopting a bravura style of execution that transformed painting into a kind of performance art. Using an idiom of bold monochrome brushwork and graded ink washes first employed by Chan (Zen) Buddhist monk-artists during the thirteenth century, these artists made compositions with dazzling virtuosity, often before astonished onlookers. The Fukinese painter Chen Zihe was a significant regional master in this tradition who took the sobriquet "Uninhibited Immortal" to emphasize his rejection of convention. Chen's humorous and somewhat provocative image of a drunken immortal exhibits all the key conventions of his craft. The shallow picture space and tight composition are constructed of powerful diagonals that intensify the dramatic focus, while highly animated brushwork offers a lively counterpoint to the massive scale of the pictorial elements, many of which are truncated by the frame.