圣安东尼的诱惑（校长）；奇妙的风景（verso） - 美国大都会艺术博物馆展品查阅

品名（中）	圣安东尼的诱惑（校长）；奇妙的风景（verso）
品名（英）	Temptation of St. Anthony (recto); Fantastic Landscape (verso)
入馆年号	1972年，1972.118.276
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jan Wellens de Cock【1480 至 1527】【荷兰人】
创作年份	公元 1515 - 公元 1525
创作地区
分类	图画（Drawings）
尺寸	7 5/8 x 9 15/16 英寸 (19.3 x 25.2 厘米)
介绍（中）	这幅画描绘了与圣安东尼诱惑的表现相关的图案。大胡子圣徒跪在一块支撑着一本书的岩石前祈祷，抵抗周围人物提供的折磨和诱惑。一对夫妇从左边接近安东尼，而各种各样的恶魔从右边越过一棵树向他走来。虽然圣徒的形象，他的折磨者和后面燃烧的建筑物彼此比例适当，但它们并不是连续的。特别是，纸张上突出的、未定义的空白区域以及前景人物与背景之间缺乏关系，表明这些图案不是为另一件作品做准备而构思的，而是从未知来源复制的。绘画风格与安特卫普画家和绘图员扬·韦伦斯·德·科克（Jan Wellens de Cock）的作品一致，他在十六世纪初与风格主义学派有着密切的联系。博物馆纸张上的图案排列在概念上类似于德·科克（de Cock）描绘同一主题的1522年木刻。
介绍（英）	This drawing depicts motifs associated with representations of the Temptation of Saint Anthony. The bearded saint kneels in prayer before a rock supporting a book, resistant to the torments and temptations offered by the surrounding figures. A couple approach Anthony from the left, while a variety of demons proceed past a tree toward him from the right. Though the image of the saint, his tormentors, and the burning building behind are in proper proportion to each other, they are not contiguous. The prominent, undefined areas of empty space on the sheet and the lack of relationship between the foreground figures and background, in particular, suggest that these motifs were not conceived in preparation for another work but were copied from an unknown source. The drawing style is consistent with works associated with Jan Wellens de Cock, an Antwerp-based painter and draftsman who had close ties to the Mannerist school in the early sixteenth century. The arrangement of motifs on the Museum's sheet is similar in conception to a 1522 woodcut by de Cock depicting the same subject.