前景中有树的森林场景 - 美国大都会艺术博物馆展品查阅

品名（中）	前景中有树的森林场景
品名（英）	Forest Scene with Tree in Foreground
入馆年号	1975年，1975.131.169
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jacques d'Artois【1613 至 1686】【佛兰德人】
创作年份	公元 1620 - 公元 1699
创作地区
分类	图画（Drawings）
尺寸	16 x 12 3/16 英寸 (40.7 x 30.9 厘米)
介绍（中）	森林内部的这张照片突然被中央前景中一棵细长的倾斜树干一分为二。用毛笔和灰色墨水完成，笔触的生动性，特别是在树叶的渲染中，给人以快速执行的印象。负责的艺术家的身份不容易确定。当它于1975年首次进入博物馆时，这张纸被认为是佛兰芒艺术家雅克·达特霍瓦的作品。D'Arthois属于所谓的布鲁塞尔景观设计师学校，以其对树木繁茂的景观的质朴景色而闻名，灵感来自附近的索尼安森林（Forêt de Soigne）。这个小组的其他成员是Lodewijk de Vadder（1605-1655）和Lucas Achtschellinck（1629-1699）。这些艺术家彼此靠近，他们的素描和绘画在风格和主题上都表现出很强的相似性，这使得很难定义他们各自的作品。因此，毫不奇怪，在后来的几年中，有人认为这个前景中有一棵树的森林场景可能是由Lodewijk de Vadder制作的。 De Vadder和D'Arthois的绘画风格的特点是用于表示树叶的宽阔水平笔触，以及前景区域的密集洗涤。画面中央一棵树的突出存在是两位艺术家都喜欢的构图手法。由于这幅画没有署名，不能与任何画作有关，因此关于这幅画的作者身份尚未找到明确的答案。
介绍（英）	This view of the interior of a forest is abruptly divided in two by the slender, tilting stem of a tree in the central foreground. Done in brush and gray ink, the vivacity of the brushwork, especially in the rendering of foliage, gives the impression of a rapid and quick execution. The identity of the artist responsible is not easily affirmed. When it first entered the Museum in 1975, the sheet was considered a work by the Flemish artist Jacques d’Arthois. D’Arthois belonged to the so-called Brussels school of landscapists, known for their rustic views of wooded landscapes, inspired by the nearby Sonian forest (Forêt de Soigne). Other members of this group were Lodewijk de Vadder (1605–1655) and Lucas Achtschellinck (1629–1699). These artists worked in close vicinity of one another, and their drawings and paintings show strong similarities, both in style and subject matter, which makes it difficult to define their respective oeuvres. It is not surprising therefore that in later years it has been suggested that this Forest Scene with a Tree in the Foreground possibly was made by Lodewijk de Vadder. Characteristic for both De Vadder’s and D’Arthois’s drawing style are the broad, horizontal brushstrokes used to indicate foliage, as well as the dense washes in foreground areas. The prominent presence of a tree in the center of the picture is a compositional device favored by both artists. As the drawing is unsigned and cannot be related to any painting, a definitive answer as to the drawing’s authorship is yet to be found.