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美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)
带有树叶的开放式家具牌匾
品名(英)
Openwork furniture plaque with leaves
入馆年号
1958年,
58.31.10
策展部门
古代近东艺术
(
Ancient Near Eastern Art
)
创作者
创作年份
公元前 900 - 公元前 700
创作地区
分类
尺寸
1.89 x 1.26 英寸 (4.8 x 3.2 厘米)
介绍(中)
在这个零碎的透雕牌匾上边缘上方保存的一个薄框架内,两组连续展开的叶子从一根细茎中生长出来,与它宽阔的基部形成对比。三角形的接合处,也有凸起的肋骨,连接着每一片风格化的叶子,并发芽出额外的花朵元素。优雅的形式和透雕技术是腓尼基风格的特征。这件作品右侧保存的另一片叶子的碎片表明,这一主题的牌匾可能是并排放置的,形成了一个连续的花雕。在叙利亚的阿尔斯兰·塔什发现的另一块具有类似图像的镂空牌匾也在大都会博物馆收藏中(MMA 57.80.14)。
由亚述国王阿舒尔纳西尔帕尔二世建造,尼姆鲁德的宫殿和储藏室收藏了数千件雕刻的象牙。象牙大多用作家具镶嵌物或盒子等珍贵的小物件。虽然其中一些象牙的雕刻风格与西北宫墙壁上的大型亚述浮雕相同,但大多数象牙都展示了与北叙利亚和腓尼基城邦艺术有关的图像和风格。腓尼基风格的象牙的特点是使用了与埃及艺术相关的图像,如狮身人面像和戴法老王冠的人物,以及使用了精细的雕刻技术,如镂空和彩色玻璃镶嵌。北叙利亚风格的象牙往往以更具活力的构图描绘更敦实的人物,雕刻成实心牌匾,添加的装饰元素较少。然而,有些单品不容易融入这三种风格中的任何一种。大多数象牙可能是亚述国王从附庸国收集的贡品,以及被征服的敌人的战利品,而一些象牙可能是在尼姆鲁德的作坊里制造的。为这些物品提供原材料的象牙几乎可以肯定来自从埃及南部进口的非洲大象,尽管大象确实栖息在叙利亚的几个河谷中,直到公元前八世纪末被猎杀灭绝。
介绍(英)
Set within a thin frame preserved above the upper edge of this fragmentary openwork plaque, two sets of successively unfolding leaves outlined with raised ribs grow out of a thin stalk that contrasts with its wide base. Triangular junctures, also detailed with raised ribs, join each stylized leaf and sprout additional floral elements. The elegant forms and openwork technique are characteristic of the Phoenician style. The preserved fragment of another leaf on the right side of this piece suggests that plaques with this theme were probably placed side by side to form a continuous floral frieze. Another openwork plaque with similar imagery found at Arslan Tash in Syria is also in the Metropolitan Museum’s collection (MMA 57.80.14).
Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
带有树叶的开放式家具牌匾
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《源氏物语》中的54个场景
大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。