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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)一个男性青年的开放式家具牌匾
品名(英)Openwork furniture plaque with a male youth
入馆年号1958年,58.31.4
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元前 800 - 公元前 600
创作地区
分类
尺寸4.49 x 0.51 英寸 (11.4 x 1.3 厘米)
介绍(中)这块镂空的牌匾描绘了一个剃得干干净净、朝右的年轻男性形象。它是在Shalmaneser堡发现的,这是Nimrud的一座皇家建筑,可能是用来存放亚述人在军事行动中收集的贡品和战利品的。某些埃及特征,包括短而卷曲的假发、零碎的太阳圆盘王冠、带袖披肩和露出双腿的流苏裙,经常出现在腓尼基象牙上。这个人张开手掌举起右臂;只保留了左上臂。腰带上方的披肩袖子上可见金箔的痕迹。这顶假发还保留了一些原来的金箔,并用埃及蓝装饰,这是一种充满活力的人工制造颜料。腰带和衣摆最初也是镶嵌的,腰带环中残留着红色颜料的痕迹。上边缘与牌匾接壤的细条象牙上保留着一个榫头,这表明这件作品最初被固定在一个框架中,很可能是家具的一部分

尼姆鲁德的宫殿和储藏室由亚述国王阿舒尔纳西尔帕尔二世建造,存放着数千件雕刻的象牙。象牙大多用作家具镶嵌物或盒子等小型贵重物品。虽然其中一些象牙的雕刻风格与西北宫墙壁上的大型亚述浮雕相同,但大多数象牙都展示了与北叙利亚和腓尼基城邦艺术有关的图像和风格。腓尼基风格的象牙的特点是使用了与埃及艺术相关的图像,如狮身人面像和戴法老王冠的人物,以及使用了精细的雕刻技术,如透雕和彩色玻璃镶嵌。北叙利亚风格的象牙往往以更具活力的构图描绘更敦实的人物,雕刻成实心牌匾,添加的装饰元素较少。然而,有些单品不容易融入这三种风格中的任何一种。大部分象牙可能是亚述国王从诸侯国收集的贡品,以及被征服的敌人的战利品,而一些象牙可能是在尼姆鲁德的作坊中制造的。为这些物品提供原材料的象牙几乎可以肯定来自从埃及南部进口的非洲象,尽管大象确实栖息在叙利亚的几个河谷中,直到公元前八世纪末被猎杀灭绝。
介绍(英)This openwork plaque depicts a clean-shaven, youthful male figure facing right. It was found at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign. Certain Egyptian features, including the short, curly wig, fragmentary solar-disc crown, sleeved shawl, and fringed skirt that leaves the legs bare, are frequently found on Phoenician ivories. The figure raises his right arm with an open palm; only the upper left arm is preserved. Traces of gold foil are visible on the shawl sleeve above the belt. The wig, which also retains some of its original overlay of gold foil, was embellished with Egyptian blue, a vibrant artificially manufactured pigment. The belt and garment hem were also originally inlaid, and traces of red pigment survive in the loop of the belt. A tenon preserved above the thin strip of ivory that borders the plaque on the upper edge suggests that this piece was originally set into a frame, likely as part of a piece of furniture.

Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。