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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)气缸密封和现代印象:演示场景
品名(英)Cylinder seal and modern impression: presentation scene
入馆年号1943年,43.102.35
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元前 2000 - 公元前 1750
创作地区
分类
尺寸15/16 × 1/2 × 1/2 英寸 (2.3 × 1.3 × 1.3 厘米)
介绍(中)尽管早在公元前七千年,雕刻的石头就被用来在粘土上压印印记,但公元前四千年,可以在粘土上滚动的雕刻圆柱体的发明使得印章设计更加复杂。这些最初在美索不达米亚使用的圆筒形印章,作为所有权或身份的标志。印章要么印在用来关闭罐子、门和篮子的粘土块上,要么印在记录商业或法律交易信息的泥板上。这些印章通常由宝石制成。保护性财产可能归因于材料本身和雕刻图案。印章对古代近东艺术的研究很重要,因为每个时期都有许多印章,因此,印章可以帮助确定时间阶段。通常保存的图像不再存在于任何其他媒介中,它们作为风格和图像的视觉编年史

展示了印章的现代印象,从而可以看到整个设计。这枚印章显示的是一个坐着的人,他的头被石头上的碎片损坏,穿着一件长衣服,手里拿着一个杯子。一位穿着类似服装、双手合十的站着的崇拜者和一位双手高举、身穿簇绒衣服、头戴角状头饰的恳求女神走近了他。两行楔形文字铭文写道:"沙玛什-[……?]众神的仆人。"

在苏尔赫·杜姆的三周挖掘中,埃里希·施密特和福尔摩斯前往卢里斯坦的探险队发现了一个圆形泥砖结构,中心有一个平台,可能是一个避难所或神殿。这座建筑包含了大量的青铜、象牙、骨头、陶器和陶瓷制品,以及大约200枚圆柱和印章,其中大多数可以追溯到公元前9至8世纪。然而,其中一些物品是相当早的传家宝。尽管很简短,但苏尔赫·杜姆的挖掘对于从定居点遗址而不是从卢里斯坦更常见的墓地中挖掘出物品来说很重要。
介绍(英)Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography.

The modern impression of the seal is shown so that the entire design can be seen. This seal shows a seated figure, whose head is damaged by a chip in the stone, wearing a long garment and holding a cup. He is approached by a standing worshipper in similar attire with hands clasped, and a suppliant goddess with uplifted hands who is wearing a tufted garment and horned headdress. A two line cuneiform inscription reads, "Shamash-[…?] servant of the gods."

In three weeks of excavation at Surkh Dum, Erich Schmidt and the Holmes Expedition to Luristan uncovered a circular mud-brick structure with a platform in the center, perhaps a sanctuary or shrine. The building contained a wealth of objects of bronze, ivory, bone, faience, and ceramic, as well as about two hundred cylinder and stamp seals, most dating from the ninth to the eighth century B.C. Some of the objects, however, were heirlooms of considerably earlier date. In spite of its brevity, the excavation at Surkh Dum is important for having uncovered objects from a settlement site rather than from one of the cemeteries more commonly found in Luristan.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。