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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)带山羊的罐子
品名(英)Jar with ibexes
入馆年号1943年,43.89.13
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元前 2600 - 公元前 2500
创作地区
分类
尺寸14 英寸 (35.56 厘米)
介绍(中)这个罐子经过了大量修复,有一个球形的身体,肩部有一个凸起的山脊和一个外翻的边缘;脖子周围有一个较小的山脊。它是由浅黄色粘土制成的,有深棕色的几何装饰。在肩膀上,这些装饰构成了山羊的形象。野山羊的后躯是圆形的,胸部和颈部是三角形的。两只细角从后脑勺竖起,向后弯曲,几乎碰到了他的屁股。野山羊有一只大眼睛和一头长山羊胡子,山羊胡子上有人字形;他的身体上装饰着十字线

这个罐子是在Kamterlan I发现的,这是伊朗西部扎格罗斯山脉卢里斯坦的一个土堆,也是定居和埋葬的地方。目前尚不清楚它起到了什么作用。它的尺寸使其适合存放,但其装饰也暗示了展示的可能性;也许是用来上菜的。肩部和颈部隆起的山脊可能表明这艘船的形状模仿了一个金属原型。野山羊是一种明显的伊朗主题,因为它们原产于伊朗西部的扎格罗斯山脉,但并不生活在美索不达米亚的平原上。因此,它们标志着青铜时代生活在伊朗的人们独特的山地身份

人们通常认为,这一时期鲁里斯坦的居民是游牧民族,他们在夏天带着牛群从扎格罗斯的高谷迁徙到冬天的低地牧场。这一理论源于缺乏定居点的证据,以及孤立墓地的出现。然而,Kamterlan I的建筑遗迹表明了定居社会,很可能那里的畜牧业与农业同时存在。
介绍(英)This jar, which is heavily restored, has a globular body with a raised ridge at the shoulder and an everted rim; a smaller ridge circles the neck. It is made of a buff clay, and has dark brown geometric decoration. On the shoulder these decorations frame images of ibexes. The ibex has rounded hindquarters, and a triangular chest and neck. Two thin horns rise from the back of its head and curve back, nearly touching his rump. The ibex has a large eye and a long goatee rendered with chevrons; his body is decorated with crosshatching.

This jar was found at Kamterlan I, a mound in Luristan in the Zagros Mountains of western Iran that was the site of both settlement and burials. It is not clear what purpose it served. Its size makes it suitable for storage, but its decoration suggests the possibility of display as well; perhaps it was used for serving. The raised ridges at the shoulder and neck might suggest that the shape of this vessel imitates a metal prototype. The ibex is a distinctly Iranian motif, as they are native to the Zagros Mountains of western Iran, but did not live, for example, on the plains of Mesopotamia. Thus they are a marker of the unique, mountain identity of the people living in Iran in the Bronze Age.

It is often thought that the inhabitants of Luristan in this period were pastoral nomads, who moved with their herds from the high valleys of the Zagros during the summer to lowland pastures in the winter. This theory arises from the dearth of evidence for settlements, and the occurrence of isolated cemetery sites. The remains of buildings at Kamterlan I, however, indicates sedentary society, and it is likely pastoralism was practiced alongside agriculture there.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。