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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)山魔面具
品名(英)Mask in the Shape of a Mountain Demon's Face
入馆年号1936年,36.25.263a, b
策展部门武器和盔甲Arms and Armor
创作者
创作年份公元 1700 - 公元 1750
创作地区原产国: 日本(Country of Origin: Japan)
分类装甲部件面罩(Armor Parts-Masks)
尺寸高 8 5/16 英寸 (21.1 厘米); 宽 7 3/16 英寸 (18.3 厘米); 深 8 英寸 (20.3 厘米); 重 1 磅 1 盎司 (481 g)
介绍(中)覆盖整个脸部的面具,被称为sōmen,是江户时代日本盔甲的戏剧性特征。在更暴力的室町时代(1333-1573),已经开发了各种类型的更简单的装甲面具,通常只保护部分面部。人们认为早在十五世纪就制作了带有人类特征的浮雕面具。然而,在江户时代,盔甲师们可以自由发挥他们的想象力——就像他们在制作代表性头盔时所做的那样——并创造了从凶猛的神到滑稽的民间人物的面具。

这个 sōmen 生动地描绘了天狗的脸,天狗是强大且通常邪恶的灵魂的化身,在日本民间信仰中,他们居住在高山的林地中。天狗有两种主要形式:卡拉苏天狗Ko no ha Tengu它们通常被表示为有人体、翅膀,有时还有爪子代替手和脚。卡拉苏天狗有一个鸟一样的头和一个强壮而锋利的喙。Ko no ha Tengu有一张人脸,被一个非常长的鼻子扭曲了。这个代表Ko no ha Tengu的面具由浮雕和漆铁制成。

天狗有着悠久而多样的历史,在整个过程中,它们的属性和文化意义不断发展。天狗最早出现在十世纪的日本文学中,在大量的传说和民间故事中都有出现。他们被认为拥有许多力量,包括超自然的力量和飞行的能力,采取其他形式,并通过占有来接管人类。他们的主要目的之一是颠覆佛教。天狗通过短期绑架儿童,烧毁寺庙和房屋,以及袭击进入或以任何方式亵渎其庇护所的人来折磨人们。然而,天狗偶尔会作为保护某些个人或寺庙的仁慈精神出现。与

这种面具特别相关的是腾吉想要通过附身并煽动他们战斗或亲自出现在战场上来引发战争。天狗被认为是使用各种武器的高手,能够在武器试验中击败除少数敢于反对他们的凡人之外的所有凡人。他们还与山武士密切相关,山武士以他们的术实力而闻名,天狗经常伪装他们的伪装。
介绍(英)A mask that covers the entire face, known as a sōmen, is a dramatic feature of Japanese armor of the Edo period. Various types of simpler armored masks, usually protecting only part of the face, had been developed for practical use during the more violent Muromachi period (1333–1573). Masks embossed with human features are thought to have been made as early as the fifteenth century. However, during the Edo period armorers gave free rein to their imaginations––as they did when making representational helmets––and created masks in forms ranging from fierce gods to comical folk characters.

This sōmen vividly portrays the face of a tengu, the embodiment of powerful and usually malevolent spirits who, in Japanese folk beliefs, inhabit the woodlands of high mountains. There are two principal forms of tengu: the Karasu Tengu and the Ko no ha Tengu. They are typically represented as having human bodies, wings, and sometimes talons in place of hands and feet. The Karasu Tengu has a birdlike head complete with a strong, sharp beak. The Ko no ha Tengu has a human face, distorted by an enormously long nose. This mask representing the Ko no ha Tengu is made of embossed and lacquered iron.

The tengu have had a long and varied history, throughout which their attributes and cultural significance have continued to evolve. First mentioned in Japanese literature in the tenth century, tengu are featured in a vast number of legends and folktales. They are credited with many powers, including supernatural strength and the ability to fly, to assume other forms, and to take over humans through possession. One of their main aims is the subversion of Buddhism. Tengu plague people by abducting children for short periods, by burning down temples and houses, and by assaulting those who enter or in any way profane their sanctuaries. Occasionally, however, tengu appear as benevolent spirits who protect certain individuals or temples.

Particularly pertinent in reference to this mask is the desire ot the tengy to cause war, by possessing men and inciting them to fight or by appearing on the battlefield themselves. Tengu are considered to be masters in the use of all types of weapons, able to defeat all but a few of the mortals who dare to oppose them in a trial of arms. They are also closely associated with the yamabushi, mountain-dwelling monks known for their martial prowess, whose guise the tengu frequently assume.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。