Gopis恳求Krishna归还他们的衣服：《Isarda》《薄伽梵书》的对开本 - 美国大都会艺术博物馆展品查阅

品名（中）	Gopis恳求Krishna归还他们的衣服：《Isarda》《薄伽梵书》的对开本
品名（英）	The Gopis Plead with Krishna to Return Their Clothing: Folio from "Isarda" Bhagavata Purana
入馆年号	1972年，1972.260
策展部门	亚洲艺术（Asian Art）
创作者	Master of the "Isarda" Bhagavata Purana
创作年份	公元 1550 - 公元 1575
创作地区
分类	绘画（Paintings）
尺寸	图像: 7 3/8 × 10 1/8 英寸 (18.7 × 25.7 厘米)
介绍（中）	这本《薄伽梵经》可能是莫卧儿时代之前已知的最伟大的印度教手稿，它以其精致的画面、生动的叙述，最重要的是，它纯粹的生活乐趣而备受钦佩。这幅画抓住了文本的精髓，讲述了克里希纳与牧牛（gopis）在水中的激情运动。克里希纳坐在一棵树上，女人的长袍从他的肩膀上飘动，黑暗的主伸出手来触摸她们，所有人都在一起。他们用充满爱的温暖眼睛凝视，并做出虔诚的姿态，祈祷与他们的主结合。印度教的虔诚崇拜（巴克提）很少在手稿绘画中如此热情地表达出来。从风格上讲，这一系列由Caurapancasika绘画群演变而来，并与以图蒂纳马人为代表的新兴混血儿形成了一座桥梁。它展示了一条河流在景观中的复杂空间渲染，可以追溯到一世纪的雕塑浮雕，但在这里，它不受限制地从页面边缘流出，挑战了作品本身的框架。
介绍（英）	Perhaps the greatest of the pre-Mughal Hindu manuscripts known, this edition of the Bhagavata Purana is admired for its pictorial sophistication, its animated narration, and above all, its sheer joie de vivre. This painting captures the essence of the text, which recounts Krishna’s amorous water-sports with the gopis (cowherds). Krishna sits in a tree, the robes of the women fluttering from his shoulder, as the dark lord reaches out to touch them, all and one together. They gaze with warm love-laden eyes and gesture devotion, praying for union with their lord. Hindu devotional worship (bhakti) had rarely been so passionately expressed in manuscript painting. Stylistically, this series evolved from the Caurapancasika group of paintings and forms a bridge with the emerging hybridity represented by the Tutinama. It displays a complex spatial rendering of a river in landscape, which can be traced to sculptural reliefs of the first century but here flows unchecked off the edge of the page, defying the composition’s own frame.