带盖子的盆栽碗（一对之一） - 美国大都会艺术博物馆展品查阅

品名（中）	带盖子的盆栽碗（一对之一）
品名（英）	Potpourri bowl with cover (one of a pair)
入馆年号	1979年，1979.396.3a, b
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1685 - 公元 1755
创作地区
分类	金属制品镀金青铜（Metalwork-Gilt Bronze）
尺寸	高 15 1/8 x 宽 16 1/4 x 深 10 1/4 英寸 (38.4 x 41.3 x 26.0 厘米)
介绍（中）	十八世纪中叶带有法国坐骑的日本瓷器不如同时期的中国瓷器常见。在本世纪上半叶，有时选择日本的瓷器镶嵌在银器中，但似乎在几十年内，装饰着镀金青铜的中国瓷器成为欧洲收藏家的首选。不仅幸存的中国瓷器比日本瓷器更多，而且前者在十八世纪的拍卖目录和库存中出现的频率更高。这些有盖的瓷碗是十七世纪后期在日本西南部的有田生产的。他们的装饰展示了高度风格化的植被和岩石作品，采用 Kakiemon 风格，以在有田工作的陶艺家家族命名，他们的商品通常以红色、深蓝色、绿松石色和黄色为主的调色板绘制。这些碗的外观通过添加成熟的洛可可风格的镀金青铜支架而发生了变化。坐骑的设计融合了蜿蜒的 C 形卷轴、细长的鼠尾草叶和球茎，盖座的不对称向上曲线赋予了最佳洛可可设计特征的运动感。将盖子与碗隔开的镀金青铜边缘的漩涡花纹开口表明，这些碎片被用作花瓣、草药和香料的容器，以闻到空气的气味，但它们很可能主要用于装饰。它们将被视为重要的艺术品，其雄伟的尺寸以及日本瓷器和坐骑的高成本都表明所有者的财务状况很高。
介绍（英）	Japanese porcelains with French mounts from the mid-eighteenth century are less common than mounted Chinese porcelains of the same period. Porcelains from Japan were sometimes chosen for mounting in silver in the first part of the century, but it seems that within several decades Chinese porcelains embellished with gilt bronze became the preferred choice of European collectors. Not only are surviving examples of mounted Chinese porcelains more numerous than their Japanese counterparts but the former appear with greater frequency in eighteenthcentury auction catalogues and inventories. These covered porcelain bowls were produced at Arita, in southwestern Japan, in the late seventeenth century. Their decoration displaying highly stylized vegetation and rock work is in the Kakiemon style, named after a family of potters working in Arita whose wares were commonly painted in a palette dominated by red, deep blue, turquoise, and yellow. The appearance of these bowls has been transformed by the addition of giltbronze mounts in the full-blown Rococo style. The design of the mounts incorporates sinuous C-shaped scrolls, elongated acanthus leaves, and bulrushes, and the asymmetrical upward curve of the cover mount imparts the sense of movement that characterizes the best Rococo design. The cartouche-shaped openings in the gilt-bronze rim that separates the cover from the bowl suggest that these pieces were used as containers for petals, herbs, and spices to scent the air, but it is likely that they were intended primarily to be decorative. They would have been viewed as important works of art, and both their imposing size and the high cost of the Japanese porcelain and the mounts would have signaled the owner’s elevated financial status.