一组意大利乡村场景中的吉普赛算命先生 - 美国大都会艺术博物馆展品查阅

品名（中）	一组意大利乡村场景中的吉普赛算命先生
品名（英）	The Gypsy Fortune-Teller from a set of the Italian Village Scenes
入馆年号	1964年，64.145.2
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	François Boucher【1703 至 1770】【法国人】
创作年份	公元 1734 - 公元 1762
创作地区
分类	纺织品挂毯（Textiles-Tapestries）
尺寸	9 ft. 7 英寸 × 79 1/2 英寸 (292.1 × 201.9 厘米)
介绍（中）	花园的图像在中世纪的挂毯媒介中很流行，在那里，所谓的mille fleurs（千花）（另见MMA 2013.506）为浪漫和玩耍的场景提供了装饰性的，有时是象征性的背景。在整个十六世纪和十七世纪，公园和花园挂毯一直很受欢迎，尤其是在更私密的房间的装饰中，它们与更正式的环境中使用的挂毯这一更宏大的主题形成了鲜明的对比。随着十八世纪洛可可风格的出现，这一主题受到了新的欢迎，十八世纪二三分之一的法国和荷兰工作室制作了许多极具装饰性的景观和花园系列。其中最引人注目的是鲍彻在1734年至1736年间为博韦工作室设计的一系列浪漫牧师（MMA 64.165.1–.8）。这一系列被称为意大利恋物癖，灵感大致来自安托万·沃托田园诗般的公园场景，描绘了在理想化的外部环境中英俊的绅士和农民。
介绍（英）	Images of gardens were popular in the tapestry medium from the medieval era, where the so-called mille-fleurs (thousand flowers) (see also MMA 2013.506) provided a decorative, and sometimes symbolic, setting for scenes of romance and play. Park and garden tapestries continued to enjoy popularity throughout the sixteenth and seventeenth centuries, particularly for the decoration of more intimate chambers, where they provided a pleasant contrast with the grander subject matter of tapestries used in more formal settings. The theme enjoyed new popularity with the advent of the Rococo style during the eighteenth century, and a number of highly decorative landscape and garden series were produced in French and Netherlandish workshops during the second third of the eighteenth century. Among the most notable was the series of romantic pastorals that Boucher designed for the Beauvais workshops between 1734 and 1736 (MMA 64.165.1–.8). Known as the Fetes Italiennes, and loosely inspired by the idyllic park scenes of Antoine Watteau, this series depicted handsome gentlefolk and peasants in idealized exterior settings.