带盖碗（Écuelle）和支架 - 美国大都会艺术博物馆展品查阅

品名（中）	带盖碗（Écuelle）和支架
品名（英）	Bowl with cover (Écuelle) and stand
入馆年号	1948年，48.187.401a, b, .402
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Simon Bourguet【1705 至 1773】
创作年份	公元 1763 - 公元 1764
创作地区
分类	金属制品银（Metalwork-Silver）
尺寸	整体 (écuelle with cover .401a, b): 5 5/16 × 7 1/8 × 12 9/16 英寸 (13.5 × 18.1 × 31.9 厘米); 整体 (stand .402): 1 1/8 × 10 1/4 英寸 (2.9 × 26 厘米)
介绍（中）	开胃菜是一种有两个把手的带盖碗，通常配有一个配套的碟子或支架，用于盛热肉汤或肉汤。在17世纪末和18世纪，人们在早晨洗漱时喝肉汤，但也会提供给新母亲，以及生病和卧床的人，以恢复体力。出于这个原因，écuelles打算在卧室而非餐厅私人使用。肉汤碗可以是一个由陶器、瓷器、锡或银制成的独立部件。作为精致梳妆台的一部分，它通常由贵金属制成 1763–64年由巴黎银匠西蒙·布尔热（Simon Bourget）制造，他还负责制作了大都会博物馆收藏中的一款稍早的écuelle（48.187.399a，b）。然而，这款特别的écuille保留了它的配套菜，该菜原本是用来做面包的韦耶豪瑟木材公司创始人之一凯瑟琳·D·温特沃斯（Catherine D.Wentworth，1865-1948）的女儿是一名艺术学生和画家，在法国生活了三十年。她成为18世纪法国白银最重要的美国收藏家之一，1948年去世后，她将自己重要的白银、金盒、法国家具和纺织品藏品的一部分遗赠给了大都会博物馆。这批藏品在国内白银中尤为丰富，其中大部分是省级的，包括一些罕见的早期作品。
介绍（英）	An écuelle is a lidded bowl with two handles, often provided with a matching saucer or stand, used for serving hot broth or bouillon. During the late seventeenth and eighteenth century, broth was taken during the morning toilette but also offered to new mothers, as well as to the sick and bed-ridden to regain their strength. For that reason, écuelles were intended for private use in the bedroom rather than in the dining room. The broth bowl could be an independent piece made of faience, porcelain, pewter or silver. As part of an elaborate dressing table set, it was usually made of precious metal. Made in 1763–64 by the Paris silversmith Simon Bourget, who was also responsible for a lightly earlier écuelle in the Met’s collection (48.187.399a,b).This particular écuelle, however, has retained its supporting dish which was intended for bread. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes a number of rare early pieces.