巴黎贝勒岛Hôtel de Belle Isle大沙龙的门 - 美国大都会艺术博物馆展品查阅

品名（中）	巴黎贝勒岛Hôtel de Belle Isle大沙龙的门
品名（英）	Door from the Grand Salon in Hôtel de Belle Isle, Paris
入馆年号	1907年，07.225.463b–m
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1780 - 公元 1790
创作地区
分类	木工制品（Woodwork）
尺寸	.463b: 130 1/4 × 33 × 3 3/8 英寸 (330.8 × 83.8 × 8.6 厘米); .463c: 130 1/2 × 10 × 6 英寸 (331.5 × 25.4 × 15.2 厘米); .463d: 130 3/4 × 12 1/2 × 6 英寸 (332.1 × 31.8 × 15.2 厘米); .463e: 147 1/2 × 28 1/2 × 2 3/4 英寸 (374.7 × 72.4 × 7 厘米); .463f: 137 3/4 × 9 3/4 × 3 1/2 英寸 (349.9 × 24.8 × 8.9 厘米); .463g: 135 1/2 × 10 × 3 1/2 英寸 (344.2 × 25.4 × 8.9 厘米); .463h: 26 × 4 × 2 1/2 英寸 (66 × 10.2 × 6.4 厘米); .463i: 65 3/4 × 10 × 3 1/2 英寸 (167 × 25.4 × 8.9 厘米); .463j: 54 1/2 × 10 × 3 1/4 英寸 (138.4 × 25.4 × 8.3 厘米); .463k: 69 × 4 英寸 (175.3 × 10.2 厘米); .463l: 5 1/2 × 4 英寸 (14 × 10.2 厘米); .463m: 9 1/2 × 8 1/2 × 3 英寸 (24.1 × 21.6 × 7.6 厘米)
介绍（中）	长期以来，人们一直认为它是巴黎杜乐丽宫内部装饰的一部分，并在1871年巴黎公社期间对宫殿的猛烈破坏中幸存下来，现在，一块门板、大墙板、壁柱、一个超前镜（trumeau）的周围和飞檐的元素被确认来自贝尔岛酒店的大沙龙。这座私人住宅位于里尔街56号，由法国政治家塞萨尔·加布里埃尔（César Gabriel）、切维尼侯爵（comte de Choiseul Chevigny）和第一代普拉斯林公爵（duc de Praslin。面向塞纳河的花园露台俯瞰着河对岸的杜乐丽宫和卢浮宫。室内装饰同样华丽，包括华丽的镶板房间。大沙龙的小酒馆精致的阿拉伯式花纹装饰灵感来自拉斐尔在梵蒂冈洛吉的画作。这件雕刻的装饰品可以追溯到1785年左右，与Jules Hugues和Jean Siméon Rousseau兄弟的作品相似，他们是负责国王官邸建筑工程的Bâtiments du Roi（litt.the King’s buildings）的画家和雕刻师，并被认为是他们的功劳这些碎片后来成为Maison Leys的木制品、镶板和座椅家具模型系列的一部分，Maison Leyes是一家成功的装饰企业，位于巴黎的玛德琳广场。自1885年以来，该公司由乔治·霍恩切尔（Georges Hoentschel）领导，他于1903年在巴黎法兰德林大道（Boulevard Flandrin）的一个博物馆般的展览中安装了这些藏品。画家莱奥波德·史蒂文斯（Léopold Stevens，1866-1935）在其位于巴黎法兰德林大道58号的《霍恩切尔室内收藏》（Interior of The Hoentschel Collection）（2019.55）中描绘了这一装置。霍恩切尔于1906年将藏品卖给了J·皮尔庞特·摩根（J.Pierpont Morgan），摩根于次年将这些木制品元素以及装饰师的其他17世纪和18世纪物品一起交给了大都会艺术博物馆。
介绍（英）	Long thought to have been part of the interior decoration of the Tuileries palace, Paris, and having survived the 1871 fiery destruction of the palace during the Paris Commune, a door panel, large wall panel, pilasters, the surround of an overmantel mirror (trumeau) and elements of the cornice are now identified as having come from the Grand Salon in Hôtel de Belle Isle. Located at 56 rue de Lille, this private residence was owned by the French statesman César Gabriel, comte de Choiseul-Chevigny and first duc de Praslin, Following his death in 1785, his son Renaud-César de Choiseul, second duc de Praslin inherited the building which was considered to be among the most beautifully situated mansions in Paris. The garden terrace facing the Seine offered views of the Tuileries and Louvre palaces across the river. The interior decoration was no less magnificent and included splendid paneled rooms. The exquisite arabesque decoration of the boiserie from the Grand Salon was inspired by Raphael’s painting in the Loggie of the Vatican. Dating to circa 1785, the carved ornament bears similarities to the work of the brothers Jules-Hugues and Jean-Siméon Rousseau, painters and carvers of the Bâtiments du Roi (litt. The King’s buildings) an agency responsible for the building works at the king’s residences, and has been attributed to them. The fragments were later part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. The painter Léopold Stevens (1866-1935) depicted this installation in his Interior of the Hoentschel Collection at 58 Boulevard Flandrin, Paris (2019.55). Hoentschel sold the collection in 1906 to J. Pierpont Morgan who gave these woodwork elements, with the rest of the decorator’s seventeenth and eighteenth century objects, to the Metropolitan Museum of Art the following year.