一朵玫瑰 - 美国大都会艺术博物馆展品查阅

品名（中）	一朵玫瑰
品名（英）	A Rose
入馆年号	1993年，1993.324
策展部门	美国之翼（The American Wing）
创作者	Thomas Anshutz【1851 至 1912】【美国人】
创作年份	公元 1907
创作地区
分类
尺寸	58 x 43 7/8 英寸 (147.3 x 111.4 厘米)
介绍（中）	安舒茨是美国最有天赋的艺术老师之一，他将导师托马斯·埃金斯的现实主义与阿什坎学校的现实主义联系在一起，其中一些人是他的学生。也许是因为安舒茨花了太多时间教学，他只画了大约130幅油画。其中一些最令人印象深刻的是Rebecca H.Whelen的一系列照片，她是宾夕法尼亚美术学院受托人的女儿，安舒茨在该学院任教。在十九世纪晚期的美国绘画中，悠闲的女人和将美女比作花朵是常见的主题。它们反映了当代对女性适当领域的定义：休闲、美丽的领域，以及审美、和谐的家庭环境。《一朵玫瑰》反映了安舒茨同时欣赏埃金斯的学术严谨和心理探索，以及约翰·辛格·萨金特的绘画自由。《玫瑰》还暗示了迭戈·维拉斯克斯和詹姆斯·麦克尼尔·惠斯勒对19世纪晚期画家的影响，包括埃金斯、萨金特和安舒茨。在将这位年轻女性描绘成沉思但在智力和情感上都很警觉的过程中，安舒茨也预见到了阿什坎学派成员和其他20世纪现实主义者所描绘的更土的女性。
介绍（英）	One of the most gifted American art teachers, Anshutz links the realism of his mentor Thomas Eakins with that of the Ashcan School, some of whom were his students. Perhaps because Anshutz spent so much time teaching, he painted only about 130 oils. Some of the most impressive belong to a series of images of Rebecca H. Whelen, daughter of a trustee of the Pennsylvania Academy of the Fine Arts, where Anshutz taught. The woman at leisure and the likening of a beautiful woman to a flower are common themes in late-nineteenth-century American painting. They reflect the contemporary definition of a woman's proper sphere: the realm of leisure, beauty, and the aesthetic, harmonious domestic environment. "A Rose" reflects Anshutz's simultaneous appreciation of Eakins's academic rigor and psychological probing and John Singer Sargent's painterly freedom. "A Rose" also suggests the influence of Diego Velázquez and James McNeill Whistler on late-nineteenth-century painters, including Eakins and Sargent as well as Anshutz. In portraying the young woman as contemplative and yet intellectually and emotionally alert, Anshutz also anticipates the earthier women painted by members of the Ashcan School and other twentieth-century realists.