在树荫下泡茶 - 美国大都会艺术博物馆展品查阅

品名（中）	在树荫下泡茶
品名（英）	Brewing Tea in the Shade of Trees
入馆年号	2020年，2020.396.36
策展部门	亚洲艺术（Asian Art）
创作者	Aoki Mokubei 青木木米【1767 至 1833】【日本人】
创作年份	公元 1820 - 公元 1829
创作地区
分类	绘画（Paintings）
尺寸	图像: 20 3/16 × 13 1/4 英寸 (51.3 × 33.7 厘米) 整体 with mounting: 57 3/4 × 19 5/16 英寸 (146.7 × 49.1 厘米) 整体 with knobs: 57 3/4 英寸 × 24 英寸 (146.7 × 61 厘米)
介绍（中）	在一次绝对的笔触之旅中，文人艺术家青木莫库贝以各种色调的墨水和浅色绘制，捕捉到了一幅想象中的风景，前景是茂密的树叶，构图的右上角是崎岖的山顶，而人们的目光被远处宁静的山峰所吸引，画笔用淡蓝色的笔触描绘。在这令人叹为观止的山景中，一群身穿中式学士服、头戴中国帽的男子在户外喝茶，一名仆人走向陶瓷炉（ryōro涼炉) 上面放着一个用来加热水的陶瓷水壶。这些装备被用来准备sencha（中国风格的浸泡茶），这是由从中国来到长崎和京都地区，并最终在整个日本建立寺庙的八股禅宗僧侣推广的这部作品富有诗意的日文标题"在树荫下泡茶"（Ryokuin senme i緑陰煎茗), 不是来自艺术家，而是来自存放这幅画的盒子上的铭文。青木Mokubei在京都的Gion区长大，他的家人在那里拥有一家餐馆——妓院（chaya）。Mokubei在Okuda Eisen（1753-1811）的指导下开始制作陶器，他很快就因其对中国陶瓷的专业复制而闻名。与Eisen和Nin’ami Dōhachi（1783-1855）一起，他被认为复兴了京都的陶瓷传统。然而，他最终确立了自己作为文人画家、书法家和著名学者的声誉。作为一名画家，他沉浸在明清时期的模型中，尽管当时京都有木版印刷的绘画手册和实际作品。Ike Taiga也是一个灵感来源。
介绍（英）	In an absolute tour de force of brushwork, rendered in various tones of ink and light colors, the Literati artist Aoki Mokubei has captured an imaginary landscape with dense foliage in the foreground and a craggy mountaintop dominating the upper right of the composition, while the eye is drawn to the serene peaks in the distance brushes in pale blue washes. In this breathtaking mountain setting, a group of men in Chinese-style scholar robes and caps partake of tea outdoors, as a servant tends to the ceramic stove (ryōro 涼炉) upon which sits a ceramic kettle for heating water. These accoutrements were used for preparing sencha (Chinese-style steeped tea), as popularized by émigré Ōbaku Zen monks who traveled from China to set up temples in Nagasaki and the Kyoto area, and eventually throughout Japan. The poetic Japanese title for this work “Brewing Tea in the Shade of Trees” (Ryokuin senme i緑陰煎茗), derives not from the artist, but from the inscription on the box in which the painting is stored. Aoki Mokubei grew up in the Gion district of Kyoto, where his family owned a restaurant–brothel (chaya). Mokubei began making pottery under the guidance of Okuda Eisen (1753–1811), and he was soon celebrated for his expert copies of Chinese ceramics. Together with Eisen and Nin’ami Dōhachi (1783–1855), he is credited with reviving the ceramics traditions of Kyoto. Yet, he eventually established his reputation as a Literati painter, calligrapher, and scholar of note. As a painter he immersed himself in models of Ming and Qing, though woodblock printed painting manuals as well as actual works available in Kyoto of the day. Ike Taiga was an inspiration as well.