连衣裙 - 美国大都会艺术博物馆展品查阅

品名（中）	连衣裙
品名（英）	Dress
入馆年号	1950年，C.I.50.40.9
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1700 - 公元 1735
创作地区
分类
尺寸
介绍（中）	在路易十四统治后期，大胆的女士喜欢这件衣服的轻松舒适，她们把宽松的、有褶皱的、在后领口处聚集的飘逸礼服作为脱衣服穿。著名女演员丹考特夫人（Madame Dancourt）在特伦斯（Terence）的《安德里亚》（Andria）中穿了一件礼服，从而推广了这些礼服，之后这种礼服通常被称为andriennes。随着款式的发展，褶皱被拉成一个或多个扁平褶皱，并戴上圆顶形的箍或围兜，将材料延伸到穿着者周围。当一位女士移动时，空气被困在铁箍下，她似乎在漂浮；因此得名罗布·沃兰特。这种类型的连衣裙经常被错误地称为"Watteau麻袋"，尽管事实上Antoine Watteau与时尚的创造或传播几乎没有关系。根据法国美居酒店的说法，到1729年，volantes的长袍已经"普遍流行，流行加上流行的习惯"（普遍流行，几乎看不到任何其他类型的连衣裙）。
介绍（英）	Late in the reign of Louis XIV, loose-flowing gowns with pleats gathered at the back neckband were worn as undress wear by daring ladies who liked the ease and comfort of this garment. The famous actress Madame Dancourt popularized these gowns by wearing one in Terence’s Andria, after which such gowns were often called andriennes. As the style developed the gathers were formalized by being drawn into one or more flat pleats, and a dome-shaped hoop or pannier was worn to extend the material around the wearer. When a lady moved, air was trapped under the hoops and she appeared to be floating; thus the name robe volante. This type of dress is often erroneously called a "Watteau sack," despite the fact that Antoine Watteau had little to do with the creation or dissemination of the fashion. According to the Mercure de France, by 1729 robes volantes were "universellement en règne, on ne voit presque plus d’autres habits" (universally in vogue, one hardly ever sees any other kind of dress).