丘比特骑着山羊，身边有两个色狼，背景是风景 - 美国大都会艺术博物馆展品查阅

品名（中）	丘比特骑着山羊，身边有两个色狼，背景是风景
品名（英）	Cupid riding a goat accompanied by two satyrs, landscape in the background
入馆年号	2020年，2020.108
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giovanni Pietro da Birago【1470 至 1513】【意大利人】
创作年份	公元 1495 - 公元 1505
创作地区
分类	印刷品（Prints）
尺寸	页: 5 11/16 × 5 11/16 英寸 (145 × 145 毫米)
介绍（中）	印刷品是意大利北部的，可能制作于16世纪初。设计元素与Giovanni Pietro da Birago（前称Sforza Hours大师）的版画相对应，但执行更接近他的同事兼合作者Giovanny Antonio da Brescia（前也称Zoan Andrea）的某些作品。这幅作品与另一幅当代版画相反，只有细微的变化（Hind 19）。我们不能确定哪个版本最先出现。这个主题可能代表了欲望的寓言，但就像许多早期的意大利版画一样，这个主题从来都不是完全透明的。山羊丘比特的中心图案很可能来源于一件可以追溯到古代的艺术品。它在其他十六世纪的版画和绘画中被引用，并有变体。这种版画是为博学多才的观众制作的，他们会欣赏诙谐和引人入胜的主题。这幅版画在巴黎的法国国家图书馆只有一个印象。
介绍（英）	The print is northern Italian and was likely made at the beginning of the sixteenth century. Elements of the design correspond to prints by Giovanni Pietro da Birago (formerly known as the Master of the Sforza Hours), but the execution is closer to certain works of his colleague and collaborator Giovanni Antonio da Brescia (previously also referred to as Zoan Andrea). The composition reverses another contemporary engraving with only minor changes (Hind 19). We cannot be certain which version came first. The subject possibly represents an allegory of lust, but like so many early Italian prints, the subject is never entirely transparent. The central group of the cupid on a goat was likely derived from an artwork dating back to Antiquity. It is quoted, with variations, in other sixteenth century prints and drawings. Prints of this kind were made for an erudite audience who would have appreciated witty and engaging subjects. The engraving is known in only one other impression in the Bibliothèque nationale de France in Paris.