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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)来自Münster Chronick的页面
品名(英)Page from the Münster Chronick
入馆年号2019年,2019.595.2
策展部门绘画和印刷品Drawings and Prints
创作者Anonymous, German, 16th century【1500 至 1600】【德国人】
创作年份公元 1544 - 公元 1600
创作地区
分类印刷品(Prints)
尺寸页: 10 3/8 × 9 1/16 英寸 (26.3 × 23 厘米)
介绍(中)这幅手绘木刻曾经是德国学者塞巴斯蒂安·明斯特(1488-1552)的地理和天文学著作《宇宙图》的一部分。该出版物是德国最早的世界描述,也是16世纪欧洲地理思想复兴的重要著作。它于1544年首次出现在印刷品中,并在随后的四十个版本中出现

《宇宙志》收录了当时欧洲人所知的地球各地的描述和地图,并附有关于宇宙志的论述。文本由复杂的图表说明,比如这里描绘的图表,可以用作追踪行星和恒星运动的工具,也可以用于对距离或时间进行具体的计算和测量

此图表用于测量天数。主圆圈象征着地球,上半部分被太阳照亮,下半部分被黑暗覆盖。划分圆圈的垂直线表示天顶,即太阳在天空中的最高点。在它的左边,代表了六个黄道带,与春季和夏季月份有关。平行线将这些标志与它们的对应标志连接起来,代表着秋天和冬天

地球右下角被一条表示春分点的线居中划分,春分点是春天太阳向北穿过天球赤道的时刻。它象征着冬天的结束,因为白天将开始变长。同样的情况发生在秋天,9月22日左右,太阳再次穿过赤道南下,我们正在前往冬至的路上;最漫长的夜晚

Münster的书是在天文科学飞速发展的时代出版的。当代学术界可以追溯到希腊占星家托勒密的理论,这些理论基于地心行星系统的原理,在地心行星系统中,地球形成了宇宙的中心。1543年,就在Münster的《宇宙图》出版之前,尼古拉斯·哥白尼(1473-1543)写了他的革命性著作《共同轨道的革命》,认为不是地球,而是太阳是万物的中心。他关于日心系统的想法需要很长时间才能被广泛接受。因此,当明斯特的书出现时,地心思想仍然被认为是有效的,没有什么能阻止他的出版取得巨大成功。
介绍(英)This hand colored woodcut was once part of a copy of Cosmographia, a book on geography and astronomy by the German scholar Sebastian Münster (1488-1552). This publication was the earliest German description of the world and a major work in the revival of geographic thought in sixteenth-century Europe. It first appeared in print in 1544 and went through forty subsequent editions.

The Cosmographia included descriptions and maps of all parts of the earth known to Europeans at that time, and was accompanied by a discourse on cosmography. Texts were illustrated by intricate diagrams, such as the one depicted here, which could be used as tools to track the movements of the planets and stars, as well as to do specific calculations and measurements on distance or time.

This diagram was used to measure the length of days. The main circle symbolizes the earth, with its upper half lit by the sun and the lower half covered in darkness. The vertical line dividing the circle indicates the zenith, the highest point of the sun in the sky. To its left, six zodiacal signs, associated with the spring and summer months are represented. Parallel lines connect these signs with their counterparts, representative of autumn and winter.

The lower right quarter of the earth is centrally divided by a line that indicates the equinox, the moment in spring when the sun moves north across the celestial equator. It symbolizes the end of winter, as the days will start to get longer. The same happens in autumn, when around September 22nd, the sun again crosses the equator going south, and we are on our way to the winter solstice; the longest night.

Münster’s book was published at a time in which the astronomical sciences knew rapid development. Contemporary scholarship harked back to on the theories of the Greek astrologer Ptolomy, which were based on the principle of a geocentric planetary system, in which the earth formed the center of the universe. In 1543, just before Münster’s Cosmographia was published, Nicolas Copernicus (1473-1543) wrote his revolutionary De revolutionibus orbium coelestium, arguing that not the earth but the sun was the center of all things. It would take a long time before his idea of the heliocentric system would be widely accepted. Therefore, when Münster’s book appeared, the geocentric idea were still considered valid, and nothing prevented his publication from becoming a great success.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。