景观 - 美国大都会艺术博物馆展品查阅

品名（中）	景观
品名（英）	Landscape
入馆年号	2019年，2019.420.6
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified
创作年份	公元 1467 - 公元 1499
创作地区
分类	绘画（Paintings）
尺寸	图像: 27 1/2 × 11 5/8 英寸 (69.9 × 29.5 厘米) 整体 with mounting: 61 13/16 × 18 11/16 英寸 (157 × 47.5 厘米)
介绍（中）	负责这幅画的人，用淡淡的水墨画，显然受到了中国宋代水墨山水画的影响，室町时期的许多日本艺术家也是如此。与南宋（1127-1279）相比，北宋（960–1127）与该景观的联系更为密切，尽管该模型也可能是日本寺庙收藏的明初（1368–1644）的作品。前景、中间地带和远处之间有着明显的区别，以丘陵前景排列，从丘陵前景出发，一条小路和一座桥通向一个有树木和一座小山的中间地带；远处的峭壁和山脉形成了一道薄雾。建筑结构寺庙或村庄隐藏在岩石和树木之间，植被上的墨点，以及中国学术绘画典型的零星斧头，表明艺术家对中国水墨画技术的熟悉这幅作品的年代可以追溯到林载禅僧天宁律高的题词，他以"潇湘八景"为中国主题的诗歌而闻名。他还负责编纂了《锦缎集》，这是一本从唐代到明代的中国诗歌选集。
介绍（英）	The individual responsible for this painting, executed in ink with touches of light color wash, was clearly influenced by Chinese Song-dynasty ink landscape paintings, as were many Japanese artists of the Muromachi period. The landscape is of a monumental type more closely associated with the Northern Song (960–1127) than the Southern Song (1127–1279), although the model could also have been a work of the early Ming dynasty (1368–1644) from a Japanese temple collection. There is a clear distinction between foreground, middle ground, and far distance, arranged with a hilly foreground from which a path and bridge lead to a middle ground with trees and a small mountain; a hint of a band of mist precedes the wall of cliffs and mountains that make up the distant ground. Architectural structures—temples or villages—are tucked away among the rocks and trees, and ink dots applied for vegetation, along with scattered axe-cut strokes typical of Chinese academic painting, indicate the artist’s familiarity with Chinese ink painting techniques. It is possible to date this work because of the inscription by the Rinzai Zen monk Ten’in Ryūtaku, known for his poems (in Chinese) on the Chinese theme of the "Eight Views of the Xiao and Xiang Rivers." He was also responsible for compiling the Kinshūdan (Collection of Brocade Pieces), an anthology of Chinese poems from the Tang through the Ming dynasty.